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octave above, resonance capable filtersection, sub-octave, 10 sliding controllers for regulating the sound, from percussive to soft bow-sounds, mono guitar synthesizer, vintage analog sounds (Moog-like), square, power supply included UK/EU Power supply included: Yes Battery Operation: No Power Supply: Adapter True Bypass: Yes Made in: USA Type: Synth
Product Electro Harmonix Micro Synthesizer has an EAN code 6832740107930.
Category | Slides, Boosters |
EAN | 6832740107930 |
octave above, resonance capable filtersection, sub-octave, 10 sliding controllers for regulating the sound, from percussive to soft bow-sounds, mono guitar synthesizer, vintage analog sounds (Moog-like), square, power supply included | UK/EU Power supply included: Yes | Battery Operation: No | Power
Pedal effect for electric guitar from Electro Harmonix - Overdrive. The Crayon is a versatile overdrive with independent Bass and Treble controls and an open frequency range that provides players with a musical alternative to customary mid-focused overdrive pedals. It delivers a range of sounds
The polyphonic SYNTH9 Synthesizer Machine transforms your guitar or bass with 9 presets that were precisely tuned to emulate the most sought after, vintage synthesizer sounds ever! From searing lead synths to spacey synth pads and deep, funky, synth bass grooves, it's all accessible. The SYNTH9 is
EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument's sound like an envelope filter, but instead of the filter's response being controlled by playing dynamics, it's controlled by an internal
Guitar effect pedal. Pedal that transforms a guitar into 11 different synthesizers. The Mono Synth was designed to work on guitar without any modifications, special pickups or MIDI implementation. Its intuitive layout makes it user friendly. The pedal’s DRY dial adjusts the dry guitar volume at
Pedal effect for electric guitar from Electro Harmonix - Distortion/Sustainer. A faithful reproduction of the highly coveted 1973 Violet Ram’s Head Big Muff heard on countless classic recordings and famous guitar solos. It delivers the unmistakable articulate string separation and exceptional
Electric drum synthesizer that creates a wide variety of drum sounds and can modify the sound using its external resonant filters. It creates sounds of cymbals, rhythmic drums and hi-hat cymbals. Triggers with the built-in Push controller, an external (non-MIDI) Drum-pad and the majority of Clock
Guitar effect providing kicking of bass frequencies, amplification of your instrument's sound band by up to 20dB, frequency band enhancement range 400Hz - 200kHz, control with a single Booster potentiometer, amplification and distortion of bass guitars and electric guitars, pickup sound, True
Overdrive and distortion pedal for electric guitar that delivers transparent overdrive with great touch and incredible response. It is equipped with switchable True Bypass or buffered switching, and Volume, Drive and Treble controls: wire-ranging Drive control provides every option from clean boost
Multi-instrument capable, stereo overdrive/distortion with a broad range of sound options and controls. With the Operation Overlord, whether you play guitar, bass, keyboards or pretty much any electronic instrument—-dialing in great drive sounds is fast and foolproof. Silent foot-switchable
An exact recreation of the original LPB1 circuit, which ushered in the age of overdrive in 1968. Put the EHX LPB1 in front of any effect to dramatically increase definition from its cleaner and heavier input drive. Control the gain and saturation of any amp. The LPB1 puts impact into your
A nano-sized version of the Operation Overlord with the same great overdrive and distortion tones, but in mono for those who don’t require stereo ins/outs. It’s super versatile and ready for your axe be it guitar, bass or keys. The Nano Overlord is switchable between two modes: Normal and
Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at
Compact overdrive effect pedal for electric guitar that creates classic, bold, symmetrical overdrive, adding edge and gain without compromising the tone. It features dedicated Tone, Volume and Sustain control knobs and tough die-cast enclosure. Pedal is true bypass and powered by 9 V battery
The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker
Santana or Pink Floyd, distortion/sustainerrich, creamy violinlike sustain. Fat fuzz sound comparable to Jimi Hendrix, optional power supply (optional 109004) | Controls: Sustain;Tone;Volume | Power Supply: Adapter or Battery | Type: Distortion;Sustainer | Battery Operation: Yes | UK/EU Power supply
Ultra-compact overdrive effect pedal that delivers a sound of 1970’s CMOS HOT TUBES, with their typical vintage soaring, and is sensitive to the touch and guitar/s volume. It provides the Volume and Overdrive controls that allow going from a gentle rasping that caresses the notes to a full-blown
Versatile overdrive/distortion effect pedal that delivers rich, overtone laden sound that doesn’t get muddy. It features responsive controls that provide anything from sparkling, clean boost to brown crunch and thick, saturated hi-gain. Advanced features like Tone Shift switch and selectable 9 or
Overdrive/distortion effect pedal for electric guitar that covers vast tonal real estate and redefines versatility. Its full complement of features and controls make dialling in inspired guitar sound intuitive – whatever the era, from the vintage to modern. Pedal features a JFET overdrive for
Octave / fuzz guitar floor effects offering classic, vintage fuzz sound from the late 60's along with added top octave and modern enhancements. It is controlled by potentiometers for Volume, Octave and Boost. | Power Supply: Adapter or Battery | Controls: Octave;Boost;Volume | Type:
Classic analog op-amp powered fuzz/distortion pedal effect. Delivers 70s circuit with symmetrical hard clipping. Based on the most famous 'rodent' distortion of the 80s. As you turn down your guitar volume, it cleans up, but not all the way. Unique Filter control. Compact, pedalboard friendly
EHX Satisfaction Plus delivers a wide palette of tones from classic ‘60s snarl to creamy lead tone to thick, earth-shaking sludge! Satisfaction Plus Fuzz treats the classic tone to a modern control set that includes a FAT/NORM mode switch, Bias control, and Tone knob. The added FAT mode features
pedal, switchable top boost, perfect for metal. Volume, treble/mid/bass EQ, distortion and sustain controls, optional power supply; suitable power suppply: Electro Harmonix EU96 DC-200 BI (109004) | Inputs: Mono | Outputs: Mono | Controls: Distortion;Treble;Middle;Volume;Top Boost;Bass | Made in: USA | UK/EU
Fuzz effects pedal that is a reissue of the classic and one of the most sought-after Big Muffs in history, offering the same vintage sound as the original, but in a smaller package. It has a vintage-correct army green chassis and works great for guitar, bass guitar or keyboard, offering a monstrous