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The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker cone, a loose tube or a faulty channel on a recording console. When you crank the fuzz up the sound is transformed. It’s modern and monumental with a searing, fully saturated, fuzz tone. The Ripped Speaker’s RIP knob is a bias control which sets the amount of clipping at the top and bottom of the signal wave form. It adds a lot of versatility and lets you tailor the character of the fuzz. Noon is neutral, a position where the fuzz is perfectly biased… fat, with a great low end and top end bite without being harsh. As you turn the knob clockwise the pedal produces a hard gating effect and the signal sputters and chokes. It’s great for creating a dying battery effect. Turning the knob CCW produces yet a different style of fuzz with a smoother gating effect where the signal fades out quickly. The Ripped Speaker’s TONE control is active and delivers a tilt-shift type EQ. That means at noon the EQ is flat. As you turn the knob counter-clockwise the frequency response gets darker with more pronounced lows and less highs. Going clockwise yields a brighter tone with more highs and rolled back lows. The Ripped Speaker features true bypass switching, comes equipped with a 9 Volt battery and accepts a standard EHX 9 Volt power supply. Type: Fuzz Outputs: Jack 6,3mm Power Supply: Adapter or Battery;9V Inputs: Jack 6.3 mm Battery Type: 9V Controls: Fuzz;Tone;Volume UK/EU Power supply included: No Colour: Grey Made in: USA True Bypass: Yes Battery Operation: Yes
Product Electro Harmonix RIPPED SPEAKER is assigned an EAN code 6832740123534.
Color | Grey |
Category | Speakers, Boosters |
EAN | 6832740123534 |
The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker
The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar. Lester G’s comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in
Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that
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Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at
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octave above, resonance capable filtersection, sub-octave, 10 sliding controllers for regulating the sound, from percussive to soft bow-sounds, mono guitar synthesizer, vintage analog sounds (Moog-like), square, power supply included | UK/EU Power supply included: Yes | Type: Synth | True Bypass:
Santana or Pink Floyd, distortion/sustainerrich, creamy violinlike sustain. Fat fuzz sound comparable to Jimi Hendrix, optional power supply (optional 109004) | Battery Operation: Yes | Type: Distortion;Sustainer | Power Supply: Adapter or Battery | Controls: Tone;Volume;Sustain | True Bypass: Yes | Outputs:
Ultra-compact overdrive effect pedal that delivers a sound of 1970’s CMOS HOT TUBES, with their typical vintage soaring, and is sensitive to the touch and guitar/s volume. It provides the Volume and Overdrive controls that allow going from a gentle rasping that caresses the notes to a full-blown
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Octave / fuzz guitar floor effects offering classic, vintage fuzz sound from the late 60's along with added top octave and modern enhancements. It is controlled by potentiometers for Volume, Octave and Boost. | Type: Octaver;Boost;Fuzz | Battery Operation: Yes | Inputs: Mono | Battery Type: 9V | Controls:
Overdrive/distortion effect pedal for electric guitar that covers vast tonal real estate and redefines versatility. Its full complement of features and controls make dialling in inspired guitar sound intuitive – whatever the era, from the vintage to modern. Pedal features a JFET overdrive for
Classic analog op-amp powered fuzz/distortion pedal effect. Delivers 70s circuit with symmetrical hard clipping. Based on the most famous 'rodent' distortion of the 80s. As you turn down your guitar volume, it cleans up, but not all the way. Unique Filter control. Compact, pedalboard friendly
EHX Satisfaction Plus delivers a wide palette of tones from classic ‘60s snarl to creamy lead tone to thick, earth-shaking sludge! Satisfaction Plus Fuzz treats the classic tone to a modern control set that includes a FAT/NORM mode switch, Bias control, and Tone knob. The added FAT mode features
pedal, switchable top boost, perfect for metal. Volume, treble/mid/bass EQ, distortion and sustain controls, optional power supply; suitable power suppply: Electro Harmonix EU96 DC-200 BI (109004) | Controls: Treble;Volume;Middle;Top Boost;Bass;Distortion | True Bypass: Yes | Made in: USA | Type:
Fuzz effects pedal that is a reissue of the classic and one of the most sought-after Big Muffs in history, offering the same vintage sound as the original, but in a smaller package. It has a vintage-correct army green chassis and works great for guitar, bass guitar or keyboard, offering a monstrous
The EHX Nano Metal Muff was built for the player who demands nothing less than hard-hitting distortion and an intense, aggressive sound. It’s a combination of weaponized distortion and an extremely powerful EQ section that provides all the flexibility and tone-shaping needed to dial in an array
With its take on the cult-classic, chainsaw distortion pedal, the EHX Hell Melter takes distortion to its extremes. The Hell Melter features expanded controls and tonal capabilities, allowing the already in-your-face sound of the pedal to broaden by switching to more open clipping options and