Lowest price in the last 45 days: £ 176
Prices and availability may change several times a day. Check the current data directly in the e-shops. You can find all available colors and sizes directly in the e-shops.
The COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.Dynamics play a major role in music; they help to convey emotion, whether it’s a sultry blues guitar solo, a vocalist belting out his/ her message – or the punchy impact of a bass guitar or kick drum. Those dynamics are the essence of a natural sounding performance; it is what makes music interesting. But out of control dynamics can instantly mar an otherwise perfect performance. That is where compression comes to the rescue – softening loud sounds and boosting low signal levels that can often get lost in the mix. The resulting compressed signal creates a much more dense, impactful sound with richness and room for subtle nuances to come through.The range of mid-high audio frequencies (centered around 5 kHz) can be boosted to increase the sense of presence of vocals and solo instruments. As 522’s Presence control is adjusted above minimum, those mid-high frequencies are increasingly boosted during compression, allowing a sound or instrument to cut through or seem more present in the mix. This variable presence function enables the 522 to effectively operate with two different ratios, one for low frequencies (LF) and the other for mid-high frequencies (reduced ratio). The primary effects are: heavy compression and dynamic control can be applied without sounding unnatural; and the reduced compression in the human ear’s most sensitive range makes the material sound brighter. However, since high frequency (HF) make up gain is not required, unwanted noise, pumping, and howl-round during quiet passages are all greatly reduced. Made in: China Controls: Gain;Attack;Treshold;Presence;Ratio;Release Type: Modular
Color | Blue |
The COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for
The reference-class MDX4600 is a marvelous 4-channel Expander/Gate/Compressor/Peak Limiter that is ideal for: compressing mono/stereo signals and providing virtually inaudible noise suppression, without loss of high frequencies; increasing vocal presence and energy; and limiting, or smoothing out
The reference-class MDX2600 is a marvelous dual-channel Expander/Gate/Compressor/Peak Limiter that is ideal for: compressing mono/stereo signals and providing virtually inaudible noise suppression, without loss of high frequencies; increasing vocal presence and energy; and limiting, or smoothing
In response to the many customer requests received over the years, the award-winning Midas Microphone Preamp is now available as an add-on to any mobile or recording system. When used in conjunction with the LEGEND L10 or L6 500 Series Rackmount Chassis, the MICROPHONE PREAMPLIFIER 502 provides the
The TLC Compressor ® is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and onstage. Aguilar proprietary Trans Linear Control (TLC) circuit enables us to achieve unprecedented levels of
With powerful compressor and gate effects intuitive controls, and legendary Midas tone, the DYN 3000 is a versatile dynamics plugin which brings the flexibility and immediacy of a Midas console to your DAW. DYN 3000’s optional sleek desktop controller puts all the key compression and gate
The EHX Pico Platform Compressor / Limiter is a powerful and versatile studio-style compressor enclosed in a pico-sized package. Borrowing from the original, the Pico Platform condenses the comp section of the full-sized Stereo Platform for those looking to fit smooth studio compression onto any
The Teletronix LA-2A Studio Compressor puts the sounds of our legendary optical tube limiter at your feet, voiced to precisely match the original hand-wired hardware — with all the inspiring tone and classic feel on tap.Whether it's ringing clean tones and single-note guitar lines, or adding
Highly adaptable stereo compressor/limiter in an efficient single rack space design that is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation, with comprehensive and wide-ranging controls providing
A modern visual compressor and limiter plugin that is part of the Apogee FX Rack & ApogeeChannelFX suite of plugins that runs natively in your favorite macOS DAW without any Apogee hardware but also has DualPath functionality that allows the plugins to run on Apogee Hardware DSP in Symphony
The video course is in English. Video Course on Compressors, Limiters and Gates taught by ProAudioEXP.com’s David Wills (Michael Jackson, Whitney Houston, Phil Collins, Diana Ross, Chicago).Over 3 hours of Premium Training on all things to do with dynamic processing.The knowledge and examples
A vintage compressor and limiter plugin that is part of the Apogee FX Rack & ApogeeChannelFX suite of plugins that runs natively in your favorite macOS DAW without any Apogee hardware but also has DualPath functionality that allows the plugins to run on Apogee Hardware DSP in Symphony Desktop,
PSP auralComp is a multi-channel compressor and limiter designed from the bottom up to be powerful, simple, and flexible in all kinds of surround and immersive audio applications. auralComp is the first in a series of plug-ins created in partnership with acclaimed immersive audio pioneer Ronald
PSP auralComp is a multi-channel compressor and limiter designed from the bottom up to be powerful, simple, and flexible in all kinds of surround and immersive audio applications. auralComp is the first in a series of plug-ins created in partnership with acclaimed immersive audio pioneer Ronald
Optical compressor that is built with high grade components and internally powered by 18V, providing loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, it will allow everything from a heavy squash with fast attack and release to “barely there”
PSP oldTimer: A vintage-style compressor designed for track or group compression and limiting. Goal in developing these plug-ins has been to provide you with versatile compressors that offer detailed control, and an exceptionally musical sound. PSP oldTimer is not based on any specific hardware,
Blue Cat`s Dynamics is a complete dynamics effect processor: it can be used as a compressor, limiter, gate, expander even waveshaper for distortion. You can manage the dynamics response of the plug-in with a unique two-thresholds system. The plug-in includes an input filter as well as a side chain
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition. - OverEasy® or classic hard knee compression with dbx's
The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as very musical studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high
The FG-116 Blue series authentically restores the tone of the two historic FET limiting amplifiers 'rev A' and then offers two uniquely upgraded versions of the classic FET circuit. With vintage and modern tones and handy features such as high pass detection and a parallel mixing knob, the Blue
As a compressor, the BLOSSOM features an optical limiting circuit that takes its inspiration from compressors designed during the golden age of vacuum tube circuits. Optical compressors as they are called, are known for their transparency and subtlety. While the BLOSSOM can provide a very
Sophisticated studio-quality stereo compressor/limiter effects pedal that allows user to precisely tune dynamics regardless of the instrument or situation, and includes volume swell and tape reverse, plus overdrive. It is powerful for studio or post production work, yet compact enough to take to a
The Carl Martin Andy Timmons Signature Compressor/Limiter. It has been developed in corporation with Andy Timmons to create a user-friendly yet versatile Compressor/Limiter with its two presets. Andy Timmons, long-time user and fan of the Carl Martin Compressor/Limiter, suggested to Carl to create
An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1 | Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of