Dynamic instrument microphone from Fusion series that is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. Its hypercardioid pickup pattern helps to minimize feedback and isolate the instrument from ambient sound, while the low impedance and
Snare Noise Microphone with Cardioid Pattern. PRA288A is specially designed for snare noise pick-up. Its tailored frequency response, with low end roll off and slight high end roll off, makes it perfect for mid-high frequency instruments. | Made in: China
This is the 2nd generation ADM snare drum microphone from Avantone and a great deal of R&D effort has culminated in this rugged, great sounding mic. We feel it represents the very finest snare drum microphone available, both for live clubs & concerts, as well as serious studio recording projects
The Heil PR 28 microphone is made specifically for toms, and snare drums along with other percussion instruments like bongos, conga, timbale, djembes and more. However, the PR 28 is suitable for other uses as well where a wide frequency range and immaculate isolation is desired.Heil Sound
Professional-quality dynamic snare/tom microphone from PG ALTA series with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. It is designed for clear reproduction of the sound source in close-miking percussion applications
The TG I51 is a dynamic instrument microphone – it gets the most out of you and your instrument. It’s your companion on drum kits, snare drums or floor toms as well as on electric guitar amplifiers or wind instruments – no matter if you’re on stage or in the studio. The natural sound and
supercardioid, stand connection, snare, includes bag. Recommended for toms, percussion and brass instruments. Weight: 468g | Type: Dynamic | Impedance: 150 Ohm | Sound Pressure Level (SPL): 94 dB | Incl. Gig bag/Case: Yes | Package Contents: Holder;Gig Bag;Microphone | Headphone Output: No | Polar Pattern:
XLRconnection, condenser instrument microphone, Highpass Filter, Bass Rolloff at 80 Hz/12 dB/octave, 2020.000 Hz, 170 Gramm, 115,5 mm x 48 mm, 10 dB Padswitch, included standadapter and bag., 148 dB SPL max (158 dB SPL max. with 10 dB pad), cardioid, 100 Ohms, 15 years warranty! Information on
Condenser instrument microphone. The cost-effective Audix F90 miniature microphone is a condenser type used to pick up percussion instruments and percussion. It is known for its size, comfort and ease of use in small clubs, rehearsal bands, etc. Provides rich, full sound at a distance of 10-15 cm
Dynamic instrument microphone. It is ideal for sound pickup of drums or percussion instruments, e.g. snare drums, tom-toms, congas or bongos. It is also suitable for use as a microphone with wind instruments, at a guitar amplifier or for sound pickup of acoustic instruments. Microphone offers
XLRconnection, condenser instrument microphone, Highpass Filter, Bass Rolloff at 80 Hz/12 dB/octave, 2020.000 Hz, 170 Gramm, 115,5 mm x 48 mm, 10 dB Padswitch, included standadapter and bag., 148 dB SPL max (158 dB SPL max. with 10 dB pad), cardioid, 100 Ohms, 15 years warranty! Information on
The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor
The DL21 Salmiéri Drums set of four mics, has been designed for toms and snare drums. It features an electret capsule that can take up to 140dB. At that level of performance the capsule will preserve the full harmonic envelope and warmth of your instrument. | Incl. Gig bag/Case: Yes | Application:
7-piece drum microphone set, consisting of a dynamic bass drum microphone, four dynamic snare drum/tom-tom microphones and two overhead condenser microphones. Optimised for sound pickup of drums. Short body microphones. Including microphone holder with 16 mm (⅝') stand thread and 9 mm (⅜')
Drum Microphone Set. Content: bass drum mic (supercardioid, 30Hz-10kHz), 3x micro tom mics, 1x snare microphone and 2x back electret overhead microphones, 9-52V phantom power required, includes 4x rim clamps, 2x mic clips for overheads and 7x 6 Meter XLR cables. Includes aluminium case. | Made in:
ideal dynamic mic for snare, Output Impedance: 310 Ohms, electric guitar and many more applications, dimensions: 157 x 32 mm, toms, definitely an allrounder with a good frequency response for clean instrumental recording. The cardioid pickup pattern isolates the main sound source while reducing
hypercardioid, snare drums and percussion, golden XLR connector, included AT8470 stand adapter, weight 279 g, dimensoins: 164,2 x 38,8 mm, dynamic instrumental microphone for guitar amps, 8017.000 Hz, 300 Ohms, thread adapter and bag | Made in: China | Battery Operation: No
Complete set of drum microphones: BETA 52 (Bass Drum), 3 x SM57 (Snare, Toms), 3 x A56D holder (holders) + case
Full condenser drum set comprises with 4 x Superlux PRA-383XLR covering Tom-tom and snare, new boundary,E100 kick mic, and 3 new E109 condenser mics for overheads and hi-hat. These high quality condenser microphones are also good for strings, winds and percussion. Detailed specification: 4 x