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The Carl Martin Rock Bug is an Amp/Speaker Simulator and Headphone rehearsal unit that operates on a single 9v battery. Although this type of accessory is not new, we believe there is nothing on the market that feels as real or sounds as realistic as the Rock Bug! You simply get the feeling that you are playing through a good tube amp. Just plug your guitar (with or without pedals) into the Jack 6,3mm input, plug your favourite headphones into the Jack 6,3mm output and off you go! Adjust your instruments’ volume with the Guitar knob, select an open cabinet or closed cabinet simulation with the mini-toggle switch, and wail away through the privacy of your headphones. If you like, use the AUX stereo inputs and add an MP3, CD or DAT player to the mix, adjust the Master volume for your music, blend in your guitar sounds with the Guitar volume, and either play along with your favourite cd’s or add a personal touch to your pre-recorded backing tracks. Utilizing the XLR output, you can connect your Rock Bug to a mixing console for recording, solo gigs accompanying the pre-recorded music with your live guitar, or as a DI for live performance when you are packing light, or your amp goes down Battery Operation: Yes Controls: Open;Master;Closed;Guitar Type: Speaker Simulator;Amp Simulator UK/EU Power supply included: No True Bypass: None Package Contents: Manual Battery Type: 9V Made in: Denmark Power Supply: Adapter or Battery;9V
Product Carl Martin Rock Bug is marked by the EAN code 8529400003708.
Category | Speakers, Pedals, Headphones |
EAN | 8529400003708 |
The Carl Martin Rock Bug is an Amp/Speaker Simulator and Headphone rehearsal unit that operates on a single 9v battery. Although this type of accessory is not new, we believe there is nothing on the market that feels as real or sounds as realistic as the Rock Bug! You simply get the feeling that
The Carl Martin Headroom is the most simple to operate reverb pedal on the market with a couple extras. This purely analogue ‘real spring’ reverb has two identical identical channels, each with tone and level controls to select the depth and tone of your reverb. This allows you to have a soft
With the constant addition of very 'power hungry' digital pedals on the market, Carl Martin designed the DC Factory to address that very need. Highly powered and totally noise free, the DC Factory doesn't take up too much real estate on your pedalboard and literally weighs about 2/3 of a kilogram
Distortion guitar effect pedal that was designed in association with Pete Thorn and emulates the sound of legendary pedal from the 70’s, known for its natural and rich distortion. It is housed in a small pedal-board friendly housing with 3 control knobs (Level, Drive, Tone) and 1 bypass switch,
The Plexi Tone guitar effect is a pedal made according to the legendary amps from the 1970s, which excels in its natural and dense distortion. Plexi Tone offers a choice of key controls to help guitarists achieve the legendary sound of overdrive or soft crunch. The effect is equipped with Crunch
The Plexi Tone guitar effect is a pedal made according to the legendary amps from the 1970s, which excels in its natural and dense distortion. Plexi Tone offers a choice of key controls to help guitarists achieve the legendary sound of overdrive or soft crunch. The effect is equipped with Crunch
Power supply for effect pedals that offers a number of features, specifically designed for touring musicians. It is equipped with the switchable (110-230 V) AC input and 8 individual isolated and regulated 9 V (150 mA) outputs, with extended power at output 7-8 9 V (350 mA) 12 V (300 mA). It also
Ultra-compact and neat boost effect pedal for electric guitar that offers a clean 15dB low noise boost. It can be used to boost the guitar solo with an extra few dB’s on top, or maybe to boost the input on the amp to get more sustain and bite. Or it can simply drive the distortion pedals with
The new Carl Martin Panama Overdrive, cool anodized case and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally. Check it out yourself, Gain Level and Tone controls along with the new Damping control, head mounted input/outputs and 9V DC input
When we look back to the glory days of rock guitar (mid 60's to mid 70's), some of the most popular amplifier set-ups were British Marshalls and Vox's.....often with multi-speaker cabinets. Players like Tony Iommi, Ritchie Blackmore, Brian May etc, carved their signature sounds on stage and in the
The Carl Martin Andy Timmons Signature Compressor/Limiter. It has been developed in corporation with Andy Timmons to create a user-friendly yet versatile Compressor/Limiter with its two presets. Andy Timmons, long-time user and fan of the Carl Martin Compressor/Limiter, suggested to Carl to create
With classic guitar tone disappearing down the road of digital modeling amps and effects, Carl Martin is proud to introduce the Quattro. Four of the most popular Carl Martin effects in one package.The Quattro begins with Carl Martin’s award winning Compressor/Limiter circuit with single controls
A new, smaller flanger, loaded with features and painted a bold psychedelic purple….that’s what! Introducing the re-designed Carl Martin Axis Flanger. We simplified the controls to give you all the control you had with our Carl Martin Classic Flanger but reduced the size so you don’t have
Remember the great tremolo tones of the 50's and 60's? The 'Surf Trem' gets its' trem circuit from the CM Tremovibe. With just a 'speed' and 'depth' control (just like our old tube amp) those classic tones are easy to achieve. The retro heavy diecast case with 9 volt battery compartment, cool
As musicians, we sometimes have to supply ‘more’ gear, in order to adequately meet the demands of a show. The Carl Martin Route Box helps simplify some of those situations. For instance, you might find yourself with two guitars, two amps and one pedal-board. By plugging each guitar into each
Whether you want to push your amp’s natural overdrive into the sweet spot, or give a little extra colour to your tone which is definitely the British Black and Gold, the Carl Martin Plexitone Lo-gain Pedal hits the mark.The Carl Martin Plexitone Lo-gain will make single coils sing, and give
Foot switch for effect loops. Allows you to turn on and off up to 8 different effect combinations. There are 8 switches for switching effects and 1 switch for bypass of the entire controller. All loops are true-bypass and are impedance free. The rear panel offers 2 jack inputs for an additional
SoundID Reference software calibrates your speakers and studio headphones. SoundID Reference is replacing Sonarworks Reference 4. Rebuilt from scratch and packed with new features. You can now export calibration profiles for your headphones and speakers, and the exported calibration profile can be
This UHF headphone return system allows singers, musicians and speakers to have, on stage, an audio return of irreproachable quality with total freedom of movement and movement. 100 mono channels, up to 80 m of range, for the stage, while traveling or in the studio. | Package Contents:
High-End Speaker and Headphone Monitoring Controller with VCA Control and USB Audio Interface. When it's time to get down to the business of recording or mixing, you want the ultimate sound quality from your monitoring system - and the last thing you'll want is to crawl around under your desk
Rotary speaker emulator guitar pedal effect. A classic sound achieved with an organ speaker and amplifier, rotary speaker effects have become an integral part of modern music. Featuring three different rotary speaker voices, including Vibratone effect. Switchable Slow and Fast speeds let you spin
Bluetooth® 5.0 with +40h playback time, dual mics, USB-C fast charging. Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality. Supports also analog cable. | Colour:
Compact distortion effect pedal that works and sound identical in every way to classic NYC Bug Muff Pi pedal – it utilizes the same circuit to deliver crushing distortion with rich, violin-like sustain and sound. It features dedicated Tone, Volume and Sustain control knobs and rugged nano
Stereo headphone amplifier, can also be used as a small power amplifier for 4-8 Ω speaker systems. Robust metal housing, Stereo RCA input, 6.3 mm stereo output. Volume control and balance control. | Power Supply: Adapter | Battery Operation: No | Outputs: Headphone Jack 6,3mm | Impedance: 32 Ohm | USB: