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This is the 2nd generation ADM snare drum microphone from Avantone and a great deal of R&D effort has culminated in this rugged, great sounding mic. We feel it represents the very finest snare drum microphone available, both for live clubs & concerts, as well as serious studio recording projects. The Avantone ADM snare drum mic is voiced to 'follow' the familiar sound of industry standard snare mics. However, we engineered a better low end and smoother, extended top end. Although we call it a 'snare drum mic', the ADM is a versatile mic that is completely at home on high toms, bongos, congas, guitar cabinets, etc. Each Avantone ADM snare drum mic is die cast from zinc, with a brass and steel grill assembly. As with all of our mics, there is NO PLASTIC to break! Aesthetically, each mic features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and a black grill assembly. All components are designed and manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. A unique feature of all our drum mics is pair of machined insets on the barrel of the microphone body. These insets allow the O-rings of the SSM shockmount to 'lock' the mic into place, which prevents mic shifting and slippage. Incl. Gig bag/Case: Case Sound Pressure Level (SPL): 145 dB Frequency Range: 50 Hz - 16 kHz Capsule Type: Dynamic Package Contents: Microphone Clamp;Shockmount Polar Pattern: Cardioid Weight: 350 g Made in: China
This is the 2nd generation ADM snare drum microphone from Avantone and a great deal of R&D effort has culminated in this rugged, great sounding mic. We feel it represents the very finest snare drum microphone available, both for live clubs & concerts, as well as serious studio recording projects
These are the 2nd generation of drum mics from Avantone and a great deal of R&D effort has culminated in these rugged, great sounding drum mics. We feel they represent the very finest drum microphone packages available, both for live clubs & concerts, as well as serious studio recording projects
This is the 2nd generation MONDO kick drum microphone from Avantone and a great deal of R&D effort has culminated in this rugged, great sounding mic. We feel it represents the very finest kick drum microphone available, both for live clubs & concerts, as well as serious studio recording projects
These are the 2nd generation of drum mics from Avantone and a great deal of R&D effort has culminated in these rugged, great sounding drum mics. We feel they represent the very finest drum microphone packages available, both for live clubs & concerts, as well as serious studio recording projects
These are the 2nd generation of drum mics from Avantone and a great deal of R&D effort has culminated in these rugged, great sounding drum mics. We feel they represent the very finest drum microphone packages available, both for live clubs & concerts, as well as serious studio recording projects
These are the 2nd generation of drum mics from Avantone and a great deal of R&D effort has culminated in these rugged, great sounding drum mics. We feel they represent the very finest drum microphone packages available, both for live clubs & concerts, as well as serious studio recording projects
These are the 2nd generation of drum mics from Avantone and a great deal of R&D effort has culminated in these rugged, great sounding drum mics. We feel they represent the very finest drum microphone packages available, both for live clubs & concerts, as well as serious studio recording projects
Avantone Pro is back again with a another classic from the past! Introducing Kick — a sub-frequency microphone that utilizies their famous reproduction “white cone” low-frequency driver. Kick brings the boom from your instruments out to the forefront, making large-sounding sources sound
This is the 2nd generation ATOM tom microphone from Avantone and a great deal of R&D effort has culminated in this rugged, great sounding mic. We feel it represents the very finest tom microphone available, both for live clubs & concerts, as well as serious studio recording projects. The Avantone
Snare Noise Microphone with Cardioid Pattern. PRA288A is specially designed for snare noise pick-up. Its tailored frequency response, with low end roll off and slight high end roll off, makes it perfect for mid-high frequency instruments. | Made in: China
The Avantone 'Cabernet (C-series)' mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CR-14 is truly a gorgeous looking and sounding microphone. The design, character and performance is
The Avantone “Cabernet (C-series)” mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The CV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance is
The Avantone 'Cabernet (C-series)' mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-1 is truly a gorgeous looking and sounding microphone. The design, character and performance can be
The Avantone 'Cabernet (C-series)' mics are designed to offer true professional performance at an absolutely unbeatable price. Featuring high grade Polystyrene and Metalized Polypropylene capacitors in the audio path as well as our own proprietary single backplate 34mm 6 micron capsule, the CK6+
The Avantone SSM Shock mount is designed for professional use. The unwanted low frequency rumble and vibrations that are physically transmitted via direct surface-to-surface contact into the microphone will be drastically reduced through the use of this product. It is very important in studio, as
The CV-12 is one of the most 'bang-for-your-buck' microphones in existence, and has been used to record countless projects from big to small! After gaining much success as a vocal mic, we decided it's time to expand its coverage in the studio and on stage! We're excited to announce we've teamed up
In pursuit of warm, detailed studio vocal recordings there is the constant battle with the 'plosives'....like 'T' , 'K' , 'P' etc....The Pro-Shield allows close work on a mic to capture a more intimate / full sound without overloading the capsule. The specially designed curved surface naturally
Professional-quality dynamic snare/tom microphone from PG ALTA series with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. It is designed for clear reproduction of the sound source in close-miking percussion applications
supercardioid, stand connection, snare, includes bag. Recommended for toms, percussion and brass instruments. Weight: 468g | Package Contents: Holder;Microphone;Gig Bag | USB: No | Capsule Type: Dynamic | Suitable for: Drums | Headphone Output: No | Weight: 470 g | Switch: No | Interface: XLR | Microphone Input:
The CK-6 Classic in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of 'upgrade' components that are implemented by microphone modders/hot-rodders! Any studio can
The Heil PR 28 microphone is made specifically for toms, and snare drums along with other percussion instruments like bongos, conga, timbale, djembes and more. However, the PR 28 is suitable for other uses as well where a wide frequency range and immaculate isolation is desired.Heil Sound
Dynamic instrument microphone. It is ideal for sound pickup of drums or percussion instruments, e.g. snare drums, tom-toms, congas or bongos. It is also suitable for use as a microphone with wind instruments, at a guitar amplifier or for sound pickup of acoustic instruments. Microphone offers
Condenser instrument microphone. The cost-effective Audix F90 miniature microphone is a condenser type used to pick up percussion instruments and percussion. It is known for its size, comfort and ease of use in small clubs, rehearsal bands, etc. Provides rich, full sound at a distance of 10-15 cm
The CK-6 Classic in its normal stock version uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents our commitment to quality as these normally are the type of 'upgrade' components that are implemented by microphone modders/hot-rodders! Any studio can