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Microphone preamplifier. It has a 12AX7A lamp in a low-noise input circuit, which delivers high power to the two channels of the preamplifier. V3 technology provides optimized presets for the recording process. The variable input impedance increases the sound potential of the device and adds a new range of textures to the tone. There are two backlit displays and LED monitors on the front panel, which show the input signal level. The Output protection limiter function controls and maintains the output signal ceiling. The front panel includes an XLR balanced input and a 6.35 mm TS unbalanced input, and the rear panel has an XLR balanced input, a 6.35 mm TRS input, an XLR balanced output, and a 6.35 mm TS output. The frequency response is 5 Hz to 50 kHz and the output impedance is 300 ohms. Dimensions: 44 x 483 x 165 mm. Weight: 2.5 kg. Phantom Power: Yes Made in: China
Product ART TPS II Microphone Preamp is marked with an EAN code 8404020227706.
Category | Microphones, Lamps |
EAN | 8404020227706 |
Microphone preamplifier. It has a 12AX7A lamp in a low-noise input circuit, which delivers high power to the two channels of the preamplifier. V3 technology provides optimized presets for the recording process. The variable input impedance increases the sound potential of the device and adds a new
Two Channel Mic Preamp with A/D Conversion. Device delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48V phantom power and features variable input impedance which can radically vary the overall performance
Mixer with a discreet Class A amplifier that provides clear, quiet gain while maintaining sound clarity. A powerful, powerful processor controls transmission and reduces unwanted noise from even the most demanding sources. Semi-parametric EQ provides a wide range of tonal options and can be plugged
Mixer with a discreet Class A amplifier that provides clear, quiet gain while maintaining sound clarity. A powerful, powerful processor controls transmission and reduces unwanted noise from even the most demanding sources. Semi-parametric EQ provides a wide range of tonal options and can be plugged
Microphone preamplifier. It offers 8 channels and is suitable for all audio interfaces with the ADAT function. It offers the ability to record directly to disc and DAW. All channels provide 24-bit audio input / output at 44.1 or 48 kHz. It is based on eight high-quality Class A mic preamps. Each of
The Tube MP is the world's most popular external tube microphone preamp. Whether you're working with a digital, computer or analog recording system, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable
The ART VoiceChannel is the perfect complete channel input strip for recording, broadcast or high profile live applications where maximum performance and detail is required. Designed to deliver in critical applications where full control of the audio source is required, the VoiceChannel combines a
Selectable release time settings, XLR balanced inputs and outputs, > 90dB dynamic range, Selectable output range for Line/Instrument interface levels, LED meters for Tube Warmth, Gain Reduction and Output level, Transformer isolated XLR output, dimensions: 44.5 x 150 x 165 mm (HxWxD),
Dual channel level converter. The CLEANBoxPro provides two channels of unbalanced to balanced level conversion and two channels of balanced to unbalanced level conversion in a rugged, compact, and portable unit. Balanced lines offer increased immunity to external electrical noise, such as hum
Excellent signal/noise ratio, lowest harmonic distortions and wide gain range make the QuadMic II a first choice for superior studio recordings. QuadMic II is battery powerable and thus excellent for remote applications. Each of the 4 channels features balanced microphone and line inputs with
The 710 Twin Finity is a tube / FET preamplifier, uniquely combining the classic 'warmth' UA lamp part and semiconductor circuits with the possibility of a smooth transition between them, all enclosed in a solid 2U halfrack tin box. The 710 has been specially designed for absolute versatility and
Dual-channel phantom power supply for microphones. The Phantom II Pro is designed to do one thing and do it well. It provides clean, reliable phantom power for one or two condenser microphones in a rugged, compact, and portable unit. Innovative low power circuitry generates the higher voltage
phase reverse, hand selected 12AX7A tube, OPL (output protection limiter), +48V phantom power, XLR & jack I/O and variable valve voicings. Perfect for hard disc recording or as a tube DI. | Made in: China | Phantom Power: Yes
ART 912-AX is a top-notch solution for any audio application, featuring 48V microphone preamps and line inputs, an internal 6-channel digital mixer with advanced DSP, Bluetooth® stereo audio input, with dual speaker pairing option. The combination of a 1.75' compression driver, 12' woofer, and
ART 915-AX is a top-notch solution for any audio application, featuring 48V microphone preamps and line inputs, an internal 6-channel digital mixer with advanced DSP, Bluetooth® stereo audio input, with dual speaker pairing option. The combination of a 1.75' compression driver, 15' woofer, and
Single channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used
Dual channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in
The Cloud Microphones Cloudlifter CL-Z Mic Activator uses phantom power from your preamp to solve an array of common issues with dynamic and ribbon microphones while maximizing your audio quality, making it a must-have box for your studio or live toolset. It's designed to be a middleman between
The Cloud Microphones Cloudlifter CL-Z Mic Activator uses phantom power from your preamp to solve an array of common issues with dynamic and ribbon microphones while maximizing your audio quality, making it a must-have box for your studio or live toolset. It's designed to be a middleman between
Dual channel '73 style British microphone preamp + EQ. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively
Tube microphone preamplifier. The 676 offers a pristine high-voltage, Class-A tube preamp section that runs on 250 volts, so your signal can be as crystal clean or dirty as you need it to be. The 676 also incorporates the compressor/limiter design from the highly-sought after dbx162SL, as well as a
High-quality microphone and line preamp mixer. It has the size of a floor pedal, and is suitable for singers, guitarists and bassists. It serves as a preamp, effects loop, and DI pedal. It is the ideal choice to achieve high quality vocals in live performance. It can easy integrate studio effects
The Twin-Servo is a high performance microphone preamp that leverages two discrete 990 op-amps for incredibly clean and transparent operation. The Twin-Servo utilizes the now-famous JE-990 circuit originally developed by industry icon Deane Jensen in 1988, providing an update in the 500 series
Microphone and instrument preamp. The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as ''the sound of Rock n' Roll'' for its BIG punchy low end and smooth open top end. Featuring fully discrete socketed 6-pin op-amps