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The Morgan AC20 Deluxe is a deceptively simple amplifier that is capable of producing a myriad of early 60s British tones but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high gain growl. The power level control allows you to dial in just the right amount of volume without sacrificing your tone the way some master volumes do. The AC20 Deluxe was created to solve modern guitar player amplifier issues with the ability to stay true to vintage tonality. It is equally at home in the studio or on the stage. It can be seen on the stages of superstars like Jeff Tweedy, Tim McGraw, The Band Perry, Taio Cruz and with ToshiYanagi on Jimmy Kimmel Live. Plug into the AC20 Deluxe and you will instantly notice the familiar chime and compression of the Class A EL84 driven output section. The amplifier’s extreme touch-sensitivity will allow you to coax clean tones even at the highest of gain settings. To quote Keith Armstrong (Chief Engineer at Mix LA) “It is impossible to get a bad sound out of this amp!” The Power Level control is a big part of the magic. Most guitarists today have spent large sums of money and even more amounts of time working on their pedal boards. Most pedals are not designed to be used with a tube amp on “1”. They were designed to interact with the amplifier at or near the point at which it begins to break up. That is why an overdrive pedal is called an “over” drive. It is driving the amp over that point. Unfortunately that volume can be too loud for most live applications. The Power Level control on the AC20 Deluxe solves this. Think of conventional master volumes as a spigot on a garden hose, they choke off the signal to the power section of the amp to a usable level. Most conventional master volumes also affect the way your pedals interact with your amp. The Power Level control behaves like a zoom lens. It limits the size of the output signal that can be produced by the output tubes. It does NOT choke the signal down and therefore behaves identical as if the amp were running at full volume. This means that you can choose the power that you need, anything from ¼ of a watt to 20 watts. The AC20 Deluxe uses 3 separate switches to give you all of the original early 60’s EL84 tonalities, Normal, Brilliant and EF86. Never has such a deceptively simple amp had so many tonal options. Handwired in the USA. Type of Electronics in the Power Amplifier: 2x EL84 Power Supply: 240V Made in: USA USB: No Rackmountable: No DI Output: No Power: 20 W Power (Watt): 20.0 UK/EU Power supply included: No
The Morgan AC20 Deluxe is a deceptively simple amplifier that is capable of producing a myriad of early 60s British tones but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high gain growl. The power level control
The Morgan AC20 Deluxe is a deceptively simple amplifier that is capable of producing a myriad of early 60s British tones but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high gain growl. The power level control
The Morgan AC20 is a deceptively simple handwired in the USA amplifier that is capable of producing a myriad of early 60s British tones. Plug into the AC20 and instantly notice the familiar chime and compression of the cathode biased Class A EL84 driven output section. The amplifier’s extreme
The Morgan AC40 Deluxe is a deceptively simple amplifier that is capable of producing a myriad of early 60s British tones but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high gain growl. The power level control
The Morgan AC40 Deluxe is a deceptively simple amplifier that is capable of producing a myriad of early 60s British tones but that is just the beginning. The switchable EF86 tube helps to make the range of tones from the cleanest of EL84 chime to ferocious high gain growl. The power level control
The Morgan RCA35was designed around a special output transformer that is equally happy with 6L6s or 6V6s or EL34s or KT66s or KT77s or 6CA7s. The RCA35’s unique design allows any of these tubes to be swapped in. Simply choose a matched pair and just plug and play. The Cathode Bias design allows
The Morgan Abbey is a classic Class A cathode biased EL84 amplifier in the style of the old British “top boost” design. The design has been updated to the 21st century with some player comforts that make the amplifier easier to use with any pedal board and at any venue. The Abbey was created to
The Morgan RCA35R starts with the circuit from the RCA35 and then adds three spring tube driven reverb. The Morgan RCA35Rwas designed around a special output transformer that is equally happy with 6L6s or 6V6s or EL34s or KT66s or KT77s or 6CA7s. The RCA35’s unique design allows any of these
The Morgan SW50 began its life with the sentence above. A good customer brought in a really expensive vintage amplifier into the Morgan shop and asked for an updated version. This 50 watt 6L6 amplifier was based around this 40 year old piece of history. The original needed to have some updates to
The Morgan SW50R starts with the circuit from the SW50 and then adds three spring tube driven reverb. The SW50R offers the same tonality of the SW50 including its ultra-sensitive pick attack and singing sustain. The SW50R reverb is also run parallel to the original tone stack. This means when the
The Morgan RCA35was designed around a special output transformer that is equally happy with 6L6s or 6V6s or EL34s or KT66s or KT77s or 6CA7s. The RCA35’s unique design allows any of these tubes to be swapped in. Simply choose a matched pair and just plug and play. The Cathode Bias design allows
The Morgan SW22 is wolf in sheep’s clothing. This 22 watt 6v6 amplifier was based around the super clean platform originally found in a certain 60s american amplifier. This amp produces a sweet singing sustain even on clean notes. Intentionally designed to be the loudest cleanest it could be with
The Morgan Abbey is a classic Class A cathode biased EL84 amplifier in the style of the old British “top boost” design. The design has been updated to the 21st century with some player comforts that make the amplifier easier to use with any pedal board and at any venue. The Abbey was created to
The Morgan RCA35R starts with the circuit from the RCA35 and then adds three spring tube driven reverb. The Morgan RCA35Rwas designed around a special output transformer that is equally happy with 6L6s or 6V6s or EL34s or KT66s or KT77s or 6CA7s. The RCA35’s unique design allows any of these
The Morgan SW50 began its life with the sentence above. A good customer brought in a really expensive vintage amplifier into the Morgan shop and asked for an updated version. This 50 watt 6L6 amplifier was based around this 40 year old piece of history. The original needed to have some updates to
The Morgan SW50R starts with the circuit from the SW50 and then adds three spring tube driven reverb. The SW50R offers the same tonality of the SW50 including its ultra-sensitive pick attack and singing sustain. The SW50R reverb is also run parallel to the original tone stack. This means when the
The Morgan 2x12EXT is a 2x12”, open-back extension cabinet. It utilizes tongue-and-groove Baltic Birch construction to deliver the bass, mid response and great sound you would expect from a Morgan cab. The cab is a fixed baffle 2x12, this is the same construction that you would find from early
The Morgan SW22 is wolf in sheep’s clothing. This 22 watt 6v6 amplifier was based around the super clean platform originally found in a certain 60s american amplifier. This amp produces a sweet singing sustain even on clean notes. Intentionally designed to be the loudest cleanest it could be with
The Morgan 1x12 CAB is a 1x12”, open-back extension cabinet. It utilizes tongue-and-groove Baltic Birch construction to deliver the bass, mid response and great sound you would expect from a Morgan cab. It is a fixed baffle design just like you would find in early 60s British cabinets. At the
The SW22R offers the same tonality of the SW22 including its ultra-sensitive pick attack and singing sustain. The SW22R reverb is also run parallel to the original tone stack. This means when the reverb is not being used it is totally out of the circuit unlike most other guitar amp reverbs
The SW22R offers the same tonality of the SW22 including its ultra-sensitive pick attack and singing sustain. The SW22R reverb is also run parallel to the original tone stack. This means when the reverb is not being used it is totally out of the circuit unlike most other guitar amp reverbs
Discover the new ACE eVo, a 20w beast full of energy. Two chanel, with a nice shiny clean, perfect with a touch of delay, and a gnarly lead chanel, super versatile, capable of bluesy lick to wild metal riffs.20w with 6L6 for a big and massive sound, with lot of presence in the bass, and perfectly
20w of british fury. 2 channels, EL-34 20w power section, tube effect loop. A plexi channel, for clean to crunch sounds, and a boost channel, to deliver the wildest riff. The ACE Colt uses the special “ultralinear master volume” technology, introduced by the Fxamps amplifiers, designed to play
The AcoustasonicTM 40 amplifier offers portable amplification for acoustic-electric guitar and microphone. It’s a simple, flexible “grab and go” solution for a variety of musical performance and basic public address applications, and it can also be used as an onstage monitor when combined