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PP strives to resolve many of the common quandaries bassists come across in their search for a fuzz that really works for their instrument and their playing situation. Helps give the feel of running two amps, one wet, one dry for those of us who can’t afford two SVT’s, and/or can’t lug two bass amps down to the local club.Along with great sounding fuzz, this specific clipping combo helps the fuzz to mesh with the clean signal in a natural way, instead of just sitting on top of the dry signal like some fuzzers with clean blends can do. The pedal overall has a much less pronounced mid-scoop which helps it to retain presence in a live playing situation.Roll the fuzz back, and things still sound crisp, also tighter lows at high fuzz settings. The PP “B” really can go from a dirty, gritty, slightly over-driven clean-blended bass sound, to fully saturated, watch out for feedback, drop-C meltdown, and everything in-between. Number of Buttons: 1 Outputs: Jack 6,3 mm TS Type: Distortion;Fuzz Inputs: Jack 6,3 mm TS Height (cm): 3.1 Battery Type: 9V Power Supply: Adapter or Battery Net Weight (kg): 0.28 Depth (cm): 6.6 Width (cm): 12.0 Package Contents: Manual True Bypass: Yes Controls: Saturation;Shape;Volume UK/EU Power supply included: No Made in: USA USB: No Battery Operation: Yes Colour: Green MIDI Interface: No
Product Wren and Cuff Pickle Pie B Bass Distortion / Fuzz is described by the EAN code 6803279976052.
Color | Green |
Category | Strings, Pedals |
EAN | 6803279976052 |
PP strives to resolve many of the common quandaries bassists come across in their search for a fuzz that really works for their instrument and their playing situation. Helps give the feel of running two amps, one wet, one dry for those of us who can’t afford two SVT’s, and/or can’t lug two
The Wren and Cuff Tri Pie 70′ is version of the famous Muff “triangle knob” fuzz from around 1970. What they’ve done is made whatthey consider the best sounding tri-knob replication you can find.Compared to the modern-day BM, the Tri Pie 70′ has less saturation, a bit less mid-scoop, and
This booster is made specifically for the bass guitar. It was designed to accommodate tunings down to a five string’s typical low B and can be used for even lower tunings.This booster was not made to be “transparent”. It’s not a JFET or MOSFET based booster. There are many fine boosters out
Bass effect pedal - overdrive/fuzz from Way Huge. Now in a Way Huge Smalls housing, the Pork & Pickle Bass Overdrive & Fuzz serves up a perfectly balanced diet of gnarly tones for bass players who like to get down and dirty. This delectable dish combines the warm, soft-clipping tones of the Pork
For this custom pedal Tall Font Russian, no mods needed, with a foot-switch that adds an extra gain stage when things need to go, “To eleven”, in the words of Nigel Tufnel. The added gain stage can be used independently, for a slightly gritty clean-boost, or used to smash the Tall Font Side
The Wren and Cuff Tall Font Russian pedal is a contemporary version of the legendary Tall Font Russian Muffs. This was the 2nd Muff variant in large green case with the typical label. Its sound is similar to the previous model, 'Civil War', the tone is more aggressive and more fuzzy than its
The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the 90’s. They say “true recreation” because they pride ourselves on truly digging into the vintage units they recreate and go to great lengths to duplicate all aspects of the original circuits to the best of
This pedal can go from super compressed, tight, smooth distortion, to a snarling buzz-saw monster that brings out every pick-to-string strike you throw at it. Surprisingly though, one trait it does not possess is the extreme scoop to the mids many associate with “Heavy Metal.” One of the
The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the 90’s. They say “true recreation” because they pride ourselves on truly digging into the vintage units they recreate and go to great lengths to duplicate all aspects of the original circuits to the best of
It is the same pedal as the full size Box of War, originally housed in a large folded steel enclosure, modified to be able to fit in a standard 125 size enclosure. That's it! Same parts, same guts, smaller size. | The Box of War is a true recreation of the famous “Civil War” fuzz pedals from the
After many, many, requests for a USA release of this unusual pedal, the USA White Elk is finally here. This pedal is a recreation of the famous 'Elk Super Fuzz Sustainar' (thats not a typo, thats how they spelled it!) pedals from the 1970's. These pedals were very cheap Big Muff 'Triangle' copies
Effect pedal for bass - fuzz, which delivers typical sound Aquilar effects and offers analog transistor distortion with full control of audio clarity. It features Blend, Fuzz, Level and Tilt EQ controls; gig-saver bypass which passes the signal even after the battery dies; input and output for 6.3
Pedal effect - fuzz from MXR. To create the MXR Bass Fuzz Deluxe, we dug up a rare vintage fuzz and modified it for the modern bassist. The resulting stompbox delivers a cutting and bold fuzz tone without degrading the punch and clarity of your original signal. | With separate Dry and Wet level
Distortion effect pedal for electric bass guitar that features a double distortion engine (Alpha and Omega) and delivers unparalleled versatility, harmonic rich and bone-crushing sound. It is designed for bassists in need of a preamplifier to be distinctively heard in any musical context. The pedal
Bass effect - distortion pedal from MXR series, in whose design was involved Ryan Ratajski, founder of Fuzzrocious Pedals. Its performance is based on the classic distortion circuit with a dirty sound, but it is a combination of silicon diode and LED in one pedal, and thus offers a choice of two
The Blackheath is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from
The Sub Octave Bass Fuzz dishes out thunderous low end with earth-shaking fuzz.To create this sonic behemoth, MXR’s engineers combined the Growl section of the Bass Octave Deluxe with a long-forgotten fuzz circuit. With three separate output level controls for the fuzz, sub octave, and dry
Drive/distortion effect pedal for electric bass guitar that delivers the huge Bass Big Muff sound in nano-sized package. Its voicing is inspired by the battle-tank, Russian Big Muff and a classic Big Muff Pi layout of Sustain, Tone and Volume controls provide sounds ranging fro a slight but
JAM pedals’ unabashed distortion monster. JAM Pedals pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to your playing resulting in an open, dynamic,
Distortion/sustain effect pedal specifically designed for bass guitar that delivers enhancements to the classic Bass Big Muff Pi pedal and provides more tone shaping options than before. It features Volume, Gate, Tone, Sustain controls, as well as Blend control that allows player to mix to taste
Guitar and Bass Dynamic Envelope Filter. Unique, funk filter sound, 2 modes (Clean/Fuzz). Metal housing. True Bypass. Power: optional 9V DC power supply. Dimensions: 93.5 mm (L) × 42 mm (W) × 52 mm (H), Weight: 160 g | Inputs: Mono | Made in: China | Controls: Fuzz/Clean;Range;Resonance;Intensity | UK/EU
Out of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy
Voiced after a 70s high wattage guitar tube amp that was also used on bass guitar in rock, doom, sludge and stoner bands. | Gain control provides a wide range of sounds, from big bold clean to heavy overdrive that retains clarity even at maximum settings. Use the blend control to mix the clean