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An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1 Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of controls to suit every style. FET compressor: This is a feed-back detector / control compression circuit that relies on a FET transistor for gain reduction. It adds a distinctive color to the signal and can be set for super-fast response, but it may also introduce a bit of musical distortion. OTA compressor: The majority of guitar compressors use this technology. Our interpretation uses a feed-forward detector circuit thus being able to “squeeze” things harder, ideal for catching fast transients and limiting. It is the most controllable circuit with punchy and direct sound. OPTO (Optical) compressor: A hand selected photocell combined with a feed-back detector circuit offer smooth attack and release characteristics resulting in very musical and organic compression even on extreme settings. It can also be set very neutral so that you won’t be able to tell when it's on but you sure going to miss it when it's gone. Phi will fatten up your tone even with no compression added. With the parallel compression technique of blending the compressed signal with the original – uncompressed signal, you will experience clarity and precision only found in studio recordings. An internal switch selects between 9 or 18V DC of operation from a standard 9V DC power supply via an internal voltage multiplier. Use the 18V setting for increased headroom and enhanced compression characteristics. Features superb low-noise floor performance and full frequency response making it ideal for guitar, bass and virtually every instrument either on studio or stage. Power Supply: 9V;Adapter Package Contents: Manual Outputs: Jack 6,3 mm TS Controls: Attack;Blend;Ratio;Threshold;Release;Volume Number of Buttons: 1 Colour: Black Made in: Greece Inputs: Jack 6,3 mm TS Type: Compressor Battery Operation: No Tuner: No USB: No UK/EU Power supply included: No True Bypass: Yes
Product Crazy Tube Circuits Golden Ratio Phi V2 has an EAN code 5214001261345.
Color | Black |
Category | Switches, Compressors |
EAN | 5214001261345 |
An internal smart switching circuit lets you decide which type of compression works best for you featuring a wide range of compression ratio from 1:1 to 20:1 | Each all-analog circuit is totally independent and has its own voice with different compression characteristics, range and response of
The Crazy Tube Circuits Ziggy v2 is a British flavored dual overdrive / distortion designed with discreet MOSFET gain stages to respond like a tube amp with ultra touch sensitivity so that you can control everything from your guitar’s volume knob and pick attack.A silent relay true-bypass
Preserving that warm tube tone of V1 they’ve added gain and volume boost function to spice up your solos. The core real-tube overdrive circuit, courtesy of a 12AY7, is exactly the same but as they listened to our customers feedback they updated the tone control with wider range for brighter
Cyclone is an all analog phaser effect voiced after classic phaser designs of the past. Crazy Tube Circuits set out to emulate the phasing notches – frequency shifts and the behavior of the original unit that each of the voicings is modelled after. With the addition of extra controls, not part of
All analog sonic recreations of 5 legendary fuzz circuits plus a future classic combination !!For this limited run of our Constellation Fuzz we carefully hand-select NOS germanium CV7003 transistors (military spec OC44) made in the UK by Texas Instruments in 1968. Each pedal is built by hand, one
Inspired by the first digital delay rack units introduced at the beginning of the “digital audio revolution” in the mid-late 70's. These units had lower bit resolution and bandwidth compared to today's digital delay standards. TI:ME is not your typical sterile and ultra clean digital delay
Limelight is a fuzz / distortion unit designed to pay tribute to the first commercially available fuzz, its british derivatives and their offsprings. While not a part for part clone of any of these designs, the sound is all there and then some. A beam control morphs from nasty “satisfaction”
For this new incarnation of Splash reverb they took all the algorithms of the multi-awarded mk3 version, the plate and shimmer algorithm from Sidekick and added 3 more exciting reverb algorithms, two modulated and one flanged freeze reverb algorithm. | On top of that they added the extra flexibility
Memphis Vibrato was designed as the “small brother” of Killer V. Lots of customers have asked for a true pitch shifting amp-like vibrato pedal, without the drive section, and they delivered. | It features all analog LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an
Super Conductor features 4 distinct boost circuits in a small pedal format. Based on one-knob-wonders of the present and past, these tone accelerators can drive your rig into sonic bliss.Each all-analog circuit features different input/output impedance, internal voltage and behaves differently on
A mythical overdrive meets the tone and feel of two iconic amplifiers. Accurately recreated the circuit of the high headroom overdrive with the magic blend of clean and overdriven tones and added extra features for versatility. The amp-in-a-box section uses an all-analog circuit to capture the
A bit of backstage info… back in 2016 they built a custom amp that was designed to morph between the sounds of a 5E3 Tweed Deluxe and a 6G2 Brownface Princeton. They liked the sound and feel of the amp so much that they decided to capture it in a pedal format.Falcon was designed as a
Voiced after a 70s high wattage guitar tube amp that was also used on bass guitar in rock, doom, sludge and stoner bands. | Gain control provides a wide range of sounds, from big bold clean to heavy overdrive that retains clarity even at maximum settings. Use the blend control to mix the clean
Drawing inspiration from the senior unit released in 2019, the goal was to craft a compact pedal that seamlessly blends the most commonly utilized time-based effects, fitting harmoniously into any gear setup, catering to those in search of 80s tones and beyond. It encompasses the spectrum, from the
Killer V was inspired by some very cool and unique amplifiers born in California, USA in the 50s and 60s, with a very distinct, true pitch-shifting vibrato circuit. | With every detail in mind they copied the behavior, sound and feel of the preamp, phase inverter, power amp and the compression/sag
Sidekick combines the most common time based effects and creative tools in a compact design (14,5 x 12,3 x 7 cm), ideal for any fly-rig or small board setup. Starting with a fully analog, lush BBD chorus for 3-dimensional sounds that can be also switched for less modulated delay time and extra
Why do you have to struggle for a digital emulation of two classic effects when you can have the real thing! That’s what they asked ourselves when capturing the concept of White Whale. It features a real 3-spring reverb tank along with controls for dwell, mix, and tone to provide the lushest
Crossfire is inspired by one of the most iconic pedal - amp combinations in guitar history. The left side is voiced after the blackface amps that defined clean electric guitar sounds. All analog and following the circuit path to the exact detail we managed to include all the essential sonic
A multi-mode Germanium fuzz / booster inspired by british classic Fuzz boxes of the past.All analog, featuring NOS Germanium transistors for smooth and deep complex tone with amazing clean-up.They hand select 3 New Old Stock Black Glass Germanium transistors for each pedal ensuring ideal
A multi-mode Germanium fuzz / booster inspired by british classic Fuzz boxes of the past.All analog, featuring NOS Germanium transistors for smooth and deep complex tone with amazing clean-up.They hand select 3 New Old Stock Black Glass Germanium transistors for each pedal ensuring ideal
Bass and Treble Shelving, 12AX7 High Voltage Class-A tube preamp circuit, 2 U, limiter switch with LED indicator, mid-peak EQ controls, 19', dimensions: 483mm x 369mm x 83mm, Bass Head, 2x 500 Watts or 1x 1000 Watt, Speakon and 1/4-inch output connectors, XLR balanced direct output, effects loop,