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Extremely compact and portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6,3 mm TRS jack. Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical. The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX). Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs. Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use. Type: Desktop Headphone Output: Yes Made in: Germany ADAT: Yes USB version: 2.0 S/PDIF: Yes Number of Preamps: None MIDI Interface: No Phantom Power: No Microphone Input: No Word Clock: No Instrument Inputs: No Line Output: No AES/EBU: No Line Inputs: No UK/EU Power supply included: No Rackmountable: No Sample Rate: 192 kHz / 24 bit Package Contents: Manual Number of Channels: 32 Variant: Digiface USB Compatible with: macOS;Windows USB: Yes Interface: USB B
Cable for interface between RME HDSP Cardbus to RME Multiface Box or RME Digiface USB. With an amazing transfer rate in both directions, the RME Cardbus Cable perfectly connects devices for optimum performance. | Made in: Germany | ~ Length: 1 m | Length: 100 cm | Colour: Black
Extremely compact and portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6,3 mm TRS jack. | Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32
A lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation. | Digiface Dante uses RME’s well-known USB driver for Windows and macOS, with
Audio interface from RME. The device uses AVB to transfer up to 256 channels of audio between PC and audio network. An additional headphone output allows high quality monitoring. | Equipped with USB 3, it allows you to stream up to 128 channels of audio with sampling rates up to 192 kHz into the AVB
The compact MADIface USB provides MADI I/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and
24-channel professional USB 2.0 audio interface from RME. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in
MIDI remote control, natively compatible to Windows and Mac OS X. Provides tactile control over your RME audio interface, puts the essential actions and commands of your interface right at your fingertips. Automaticaly detected, when plugged into your computer's USB port. As soon as it is present
Building on the eight year success of the MADI Bridge and the MADI Converter, RME presents a newly designed device that is a worthy successor of both - in fact, its innovative core will redefine and inspire MADI systems for years to come.The MADI Router is a compact device designed to link MADI
The TCO module is an optional extension for selected RME cards. Placed in a free slot of the computer chassis the TCO will be connected with the main card via a flat ribbon cable. | The small module provides the HDSPe cards with a Word Clock input and offers a synchronization to LTC and video. Thanks
The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.The PCI Express card consequently uses all advantages of the MADI format,
The I64 MADI Card from RME is an optional interface card that provides both the eight-channel Micstasy microphone preamp, and the ADI-8 QS AD/DA converter, with sixty-four channels of MADI input and output, and features optical and coaxial MADI I/O. The input automatically switches operation
Micstasy is an 8-Channel hi-end mic/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic/Line In to Line Out) and digital (Mic/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight:
RME presents the world's most versatile PCI Audio Interface - the Hammerfall DSP 9632. This card makes the dream of an All-In-One solution for every possible application come true. As usual, RME has not made any compromises: Latest 192 kHz AD- and DA-converters with more than 110 dB signal to noise
The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:Ultra-low latency operation with USB or
RMEs ADI-6432 offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore, or one unit used as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2 units height
The DMC-842-M from RME is an 8-channel AES42 interface and control device for digital microphones. AES42-2001 is an extension of the current AES digital audio standard that provides the framework for interfacing and controlling professional digital microphones (not to be confused with the consumer
Converter RMEs ADI-6432R offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432R used as digital multicore, or one unit used as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2
The Word Clock Module (WCM) from RME provides a galvanically isolated word clock input and two word clock outputs (BNC connectors).Both outputs have their own driver stages, providing an extremely low jitter signal. A push switch activates 75 Ohms termination for the hi-impedance input
RME's ADI-8 QS is an 8-Channel hi-end AD/DA converter with an unrivalled bunch of features. The device combines excellent analog circuit design with outstanding low latency AD/DA converter chips of the latest generation. Along with the integrated SteadyClock, the QS offers an AD- and DA-conversion
RME's M-16 AD is a 16-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 16 times! The unit's unique
The M-16 DA from RME is an extremely high-quality 16-channel D/A converter. It utilizes MADI (Multi-channel Audio Digital Interface) technology, which allows up to 64 channels of audio to flow freely without the shortcomings of multi-core cable-based digital audio technology. Not only does the M-16
RME's M-32 AD is a 32-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times! The unit's unique
RME's M-32 DA is a 32-channel high-end DA converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion - not less than 32 times! The
High-end DA converter & headphone amplifier. In 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power