Behringer 904A Voltage Controlled Low Pass Filter

Lowest price in the last 45 days: £ 85,90

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Behringer 904A Voltage Controlled Low Pass Filter

£ 85,90

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Behringer 904A Voltage Controlled Low Pass Filter - product description

Behringer 904A Voltage Controlled Low Pass Filter - product parameters

Behringer 904A Voltage Controlled Low Pass Filter - price and availability history

Behringer 904A Voltage Controlled Low Pass Filter - other interesting products

£ 85,90

Behringer 904A Voltage Controlled Low Pass Filter

Vintage-sounding 904A Low Pass VCF module from the ‘70sAuthentic reproduction of the circuitry from the “Modular 55, 35 & 15” Series. VCF features Fixed Control Voltage (Cutoff), Range and Regeneration (Resonance) controls.Audio in and out connectors plus 3 CV inputs for control of

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The 5089 filter is a voltage controlled, discrete analog, 24 db/oct transistor ladder, low-pass filter, employing hand-matched transistors. Ladder low-pass filter—a subtractive analog sound synthesis foundation—in its lowest FREQUENCY setting removes, or cuts off higher frequency harmonics; its

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The Studio Electronics Boomstar Modular SEM Filter is a voltage controlled state variable filter providing simultaneous high pass, low pass, and band pass outputs, with a 12 dB/oct slope. The SEM is known as a 'Voltage Controlled State Variable Filter' because it provides simultaneous high pass,

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Behringer 921 Voltage Controlled Oscillator

Vintage-sounding 921 VCO module from the '70s.Authentic reproduction of the circuitry from the 'Modular 55, 35 & 15' Series.VCO features 6 selectable waveforms (sine, triangle, saw, inverted saw, square and inverted square).Pulse width control with 2 separate CV inputs for fat PWM sounds. | Variant:

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EarthQuaker Devices Spatial Delivery V2

Guitar pedal effect - Sample and Hold Envelope Filter, auto-wah and voltage controlled envelope filter (VCF), 3 modes: Up Sweep, Down Sweep and Sample & Hold, true bypass, 3 controls for Range, Resonance and Filter, silent relay-based soft touch switching, bypass footswitch, 6.3 mm mono IN/OUT

£ 67,30

Behringer Sample & Hold Random Voltage 1036

This is the Behringer 2500 series SAMPLE & HOLD/RANDOM VOLTAGE MODULE 1036. An authentic reproduction of the original “System 2500” circuitry from the 70’s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the SAMPLE & HOLD/RANDOM VOLTAGE MODULE

£ 37,10

Lehle DC Filter

The DC Filter eliminates DC voltage from analog signals. Audio signals containing DC voltage cause ugly switching noise. Now, both line and high-impedance signals are cleaned - but with no loss of sound. The DC Filter is of full stereo type, and thus filters stereo - and, of course, mono - signals

£ 339,00

Electro Harmonix Pog2

lo-pass filter with Q control, 5x mixable polyphonic octave harmonics, flawless polyphonic glitch free tracking, delay, attack, included EU96 DC-200 power supply | Battery Operation: No | Power Supply: Adapter | Type: Detune;Octaver | UK/EU Power supply included: Yes | True Bypass: Yes | Made in: USA

£ 116,00

Behringer Clocked Sequential Control Module 1027

This is the Behringer 2500 series CLOCKED SEQUENTIAL CONTROL MODULE 1027. An authentic reproduction of the original “System 2500” circuitry from the 70s that can fit in a standard Eurorack case. The best part? It’s at a very affordable price. Mix the CLOCKED SEQUENTIAL CONTROL MODULE 1027 in

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Behringer UCA 202 U-CONTROL

Compact ultra-low latency 2-channel 2in/2out USB audio interface with S/PDIF output that provides very flexible connectivity of the instruments or mixer with a computer for recording and playback. It features high-resolution (16-bit/48 kHz) converters for high-end audio quality, two analog mono

£ 134,00

Edifier T5

Low pass filter ensures that your subwoofer only plays sounds too low for your speakers to properly output without distortion. Supplement your speakers high and mid-range with bass you can really feel down to the 38Hz range. An 8” Bass Driver with DSP delivers 70w of powerful sound with rich,

£ 93,33

Dreadbox Eudemonia

Analog Wave Generator Processor3 to1 mixerDual Filter in series24dB resonant Low Pass Filter18dB non-resonant High Pass FilterExponential VCA with peak indicator (above 10pp)LED indicator for all controls to illustrate the current CV SumPower Consumption: 61mA @ +12V , 69mA @ -12V | Inputs: Jack 3,5

£ 495,00

Behringer X-Touch Universal Control Surface

Universal DAW remote controller and a control surface with 9 touch-sensitive motor faders, LCD scribble strips and Ethernet/USB/MIDI Interface. The device is made for studio and live applications and it supports the HUI and Mackie Control protocol. It also features 8 LCD displays for channel

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KUASSA EVE-AT4 (Digital product)

EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q

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Behringer Studio M

The STUDIO M Premium Passive Studio Controller takes controlling your setup to the next level. Instantly switch between any two audio sources and monitors and adjust their level. The large volume knob makes it easy to dial-in the perfect level every time, without having to reach for your mixer –

£ 155,00

Behringer X-TOUCH ONE

Universal DAW remote control for studio and live applications. Supports HUI and Mackie Control protocols for seamless integration with every compatible music production software. It offers various assignment presets that support every major DAW, user preset that assigns any Mackie Control

£ 33,34

KUASSA EVE-AT1 (Digital product)

EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric

£ 241,00

Behringer Model D

Analog Synthesizer with 3 VCOs, Ladder Filters, LFO and Eurorack Format. The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith

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Behringer JT-4000 Micro

Portable 4-Voice Hybrid Synthesizer with 2 Analog Modelling Oscillators Per Voice, Analog Filter and Arpeggiator. Be ready to jam anytime, anywhere with the Behringer JT-4000 MICRO, a super portable programmable 4-voice hybrid synth that comes with 2 analog modelling oscillators per voice. Whether

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Behringer Crave

Analog semi-modular synthesizer with 3340 VCO, classic ladder filter, 32-step sequencer and 16-voice poly chain from Behringer. Analog synthesizer features legendary Prophet 5 VCO design allows for insanely fat music creation. Pure analog signal path based on authentic VCO, VCF and VCA designs

£ 58,40

Behringer 923 Filters

Modular Synthesis | The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used

£ 80,60

Behringer X-Touch Mini

Compact USB universal controller that can be used to control DAW software, instruments, effects and lights. It features 8 rotary knobs with LED-collars for parameter settings, 16 illuminated buttons for direct access to key functions of DAW, built-in USB/MIDI interface and Mackie Control

£ 128,00

Behringer Pro-VS Mini

Portable 4-Voice Hybrid Synthesizer with 4 Vector Morphing Oscillators Per Voice, Analog Low-Pass Filter, 16-Step Sequencer and Arpeggiator. Jam, create and play anywhere you want with the Behringer PRO VS MINI. Now you can have a powerful, feature-rich and portable 4-voice hybrid synthesizer

£ 75,80

Behringer 914 Fixed Filter Bank

Modular Synthesis | The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used

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