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The BLOOM from Jackson Audio is a comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control in ways never before possible. The BLOOM v2 – MIDI takes everything people love about original BLOOM and updates it with MIDI!The BLOOM v2 – MIDI now offers MIDI control over all 6 compression settings, circuit ON/OFF (COMP, EQ, BLOOM) and bloom level; the bloom level can also be expressed via MIDI!A three-fold device, the Bloom manipulates the dynamics of the instrument by way of precisely tuned optical compression, equalization, boost and sustain circuits which can be activated separately or in tandem with each other. Controls: Volume;Treble;Comp;Middle;Bass;Bloom;Blend Made in: USA True Bypass: Yes Number of Buttons: 2 Outputs: Jack 6,3 mm TS Inputs: Jack 6,3 mm TS Colour: White Type: Compressor Package Contents: Manual UK/EU Power supply included: No Battery Operation: No Power Supply: 9V;Adapter Variant: Bloom Midi USB: No
Product Jackson Audio Bloom Midi is marked with an EAN code 3021281860876.
Color | White |
Category | Compressors |
EAN | 3021281860876 |
The BLOOM from Jackson Audio is a comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control in ways never before possible. The BLOOM v2 – MIDI takes everything people love about original BLOOM and updates it with MIDI!The BLOOM v2 – MIDI now offers MIDI
The BLOOM from Jackson Audio is a comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control in ways never before possible. The BLOOM v2 – MIDI takes everything people love about original BLOOM and updates it with MIDI!The BLOOM v2 – MIDI now offers MIDI
As a compressor, the BLOSSOM features an optical limiting circuit that takes its inspiration from compressors designed during the golden age of vacuum tube circuits. Optical compressors as they are called, are known for their transparency and subtlety. While the BLOSSOM can provide a very
The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that they call GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility. To top it off, they added a boost circuit which is the same type of MOSFET boost circuit found on
Opto Compressor. No plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic '2A optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments
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The idea of creating a modular fuzz came about as they were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, 'All of them!' All of them are different, and all of them bring something unique sonically.With the FUZZ, you can update your fuzz
The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed
The AMP MODE circuit is based on a MOSFET transistor which is a very popular type of transistor to use for boost circuits because it has many “amp like” characteristics when it clips etc. There can be downsides to this circuit though.Several very popular MOSFET boost circuits on the market have
The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance! Housed in a custom designed
Parametric equalizer with multi-band compression features. Each band has a built in compressor, precise frequencies can be dynamically cut or boosted by setting the threshold. A level meter is available for each band with a marker showing the current threshold level. This gives a level of control
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Modified Blue Stripe compressor based on a device from the sound engineer Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits. They also added an active wet/dry mix for easy