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Shock mount microphone clip consists of an isolation mount and adapter that attaches a microphone with a shaft diameter of 3/4inch or larger (25 to 30 mm) to a stand. Shure models with a 3/4inch (25 to 30 mm) mm shaft diameter include SM, KSM, Microflex and more.
Category | Stands, Microphones, Clips, Adapters |
Shock mount microphone clip consists of an isolation mount and adapter that attaches a microphone with a shaft diameter of 3/4inch or larger (25 to 30 mm) to a stand. Shure models with a 3/4inch (25 to 30 mm) mm shaft diameter include SM, KSM, Microflex and more
The VIP55SM holds two microphones, typically two SM57 mics, side by side. It can hold any Shure microphone with a tapered handle. Each mic is held in a vibration mount, like an air-filled doughnut, as used in the A55SM. The VIP55SM mounts to a standard mic stand via its internal 5/8'-27 thread. The
internal phantom adapter. Includes A57M clip, 20Hz20kHz, 1152V phantom power, warm natural sound with nice highs, cardioid, bag and windscreen. | Incl. Gig bag/Case: Yes | Application: Studio;Recording;Instruments | Polar Pattern: Cardioid | Signal to Noise Ratio: 63 dB | Sound Pressure Level (SPL): 153
The microphone mount is made of metal. It has a swivel mount, a 5/8'-27 thread, plus a thread adapter to connect to 1/2'- and 3/8' stands. | Made in: China
Ground Stand (Mobile phone clip + microphone clip) | | Made in: China
The LAV-CLIP is an ergonomic and discreet clip mount for the RODE Lavalier microphone. The LAV-CLIP is supplied in a pack of three. Dimensions: 24 x 11 x 27 mm. Weight: 3 g. | Made in: China
Ground Stand (Double microphone clips) | Made in: China
Microphone stand holds microphone securely in place (microphone clip sold separately). Long boom arm with molded plastic counterweight for horizontal placement. Versatile design folds flat for use as straight mic stand. Sturdy steel construction; ultra-light for easy transport. | Type: Stand | Height
The RM3 mic clip effectively secures your microphone to its stand without interfering with its polarity or frequency response. Using RODE stand mounts ensures that your microphones performance is not interfered with. Dimensions: 94 x 35 x 64 mm. Weight: 107 g. | Made in: China
Microphone clip for fastening KMS 104/105 microphones. The clip is tiltable and has a 5/8'-27 female thread with a reduction to 1/2' and 3/8' for mounting on a microphone stand. It is produced in matte black. | Colour : Black | Compatible with : Neumann KMS105
Clip to mount a d:vote 4099 Instrument Microphone to an accordion. The mic clip can be attached permanently to the instrument using screws. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument. The
Extensible arm microphone stand featuring fixed desktop base and clip-on base desktop stand. Suggested for radio installations and dubbing studios. 5 m XLR – XLR microphone cable included. | Weight: 1,3 kg | Made in: China | Incl. Gig bag/Case: None | Package Contents: Microphone Cable
includes clip and bag, hypercardioid | Microphone Input: No | Frequency Range: 50 Hz - 20 kHz | Sound Pressure Level (SPL): 140,5 dB | Switch: No | External Antenna: No | Package Contents: Windscreen;Holder;Microphone | Headphone Output: No | Incl. Gig bag/Case: Yes | Capsule Type: Condenser | Interface: XLR | MP3 /
Clip to connect a d:vote 4099 Instrument Microphone to an acoustic upright bass. There are several excellent placement possibilities on the instrument. The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio
Clip to connect a d:vote 4099 Instrument Microphone to an acoustic guitar, mandolin, ukulele or dobro. It offers practically unlimited placement possibilities. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another
Clip to connect a d:vote 4099 Instrument Microphone to slim bodied and unusually shaped instruments. The design of the microphone clip includes a hook-and-loop fastener strap which allows it to fit instruments of varying sizes and diameters such as the oboe, clarinet, bassoon, recorder and flute
Clip to connect a d:vote 4099 Instrument Microphone to a saxophone or trumpet. An innovative mounting mechanism makes it easy to move the microphone between instruments with one hand. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and
Clip to connect a d:vote 4099 Instrument Microphone to an acoustic upright bass. There are several excellent placement possibilities on the instrument. The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio
The Micro-Dot to 3-pin XLR Adapter features a low-cut roll-off filter and provides a balanced output signal for the d:vote 4099 Instrument Microphone. The adapters give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you
Singer pack from the MSK series includes ECOA1 microphone, MS108 Boom stand, HM9A microphone clip, microphone pouch, 6 meter XLR-XLR cable and carrying bag. Dynamic cardioid microphone ECOA1 from the ECO series suitable for recording vocals. Microphone features frequency response of 80 – 12 000
Clip to connect a d:vote 4099 Instrument Microphone to a violin, viola, banjo or mandolin. The mounting mechanism makes it easy to move the mic between instruments with one hand. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or
Clip to connect a d:vote 4099 Instrument Microphone to a violin, viola, banjo or mandolin. The mounting mechanism makes it easy to move the mic between instruments with one hand. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or
Clip to connect a d:vote 4099 Instrument Microphone to a Cello. It attaches to the C and A string below the bridge. This places the microphone capsule in the sweet spot between the bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage. The