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Breakout panel is the ideal extension for digital multichannel interfaces. It includes two sets of D-sub to 4 x XLR male and 4 x XLR female each, replacing common breakout cables D-sub to XLR by a professional, solid, stable rack-mounted system. DTOX-32 is pin-compatible to TASCAM (=RME) and Yamaha formats. The DTOX-32 has removable rack-mount-brackets and can be mounted in front or back position. Made in: Germany
Product RME DTOX-32 is marked by the EAN code 4260123363123.
Breakout panel is the ideal extension for digital multichannel interfaces. | It includes two sets of D-sub to 4 x XLR male and 4 x XLR female each, replacing common breakout cables D-sub to XLR by a professional, solid, stable rack-mounted system. DTOX-32 is pin-compatible to TASCAM (=RME) and
Breakout panel are the perfect rack solutions for interconnecting multichannel XLRs with the common D-sub connector format. | DTOX-16 I connects 16 XLR inputs to two D-sub 25-pin connectors (channels 1-8 and channels 9-16). | The breakout panel supports all interfaces using analog 25-pin D-sub inputs
Breakout panel are the perfect rack solutions for interconnecting multichannel XLRs with the common D-sub connector format. | DTOX-16 O connects 16 XLR outputs to two D-sub 25-pin connectors (channels 1-8 and channels 9-16). | The breakout panel supports all interfaces using an analog 25-pin D-sub
Breakout panel are the perfect rack solutions for interconnecting multichannel XLRs with the common D-sub connector format. | DTOX-16 I/O connects 8 XLR inputs to a D-sub 25-pin connector and 8 XLR outputs to another D-sub 25-pin connector. | The breakout panel supports all interfaces using an analog
RME's M-32 DA is a 32-channel high-end DA converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion - not less than 32 times! The
RME's M-32 AD is a 32-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times! The unit's unique
32-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion. | The unit's unique set of features includes
32-channel high-end DA converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art DA conversion. | The M-series converters have been conceived and
Mini-DIN to 4 x MIDI. For HDSP 9652, HDSP AES-32, HDSPe AES, Fireface 400 and HDSP MADI, HDSPe MADI. | Length: 20 cm | Colour: Black | Made in: Germany | ~ Length: 0 m
Cable for interface between RME HDSP Cardbus to RME Multiface Box or RME Digiface USB. With an amazing transfer rate in both directions, the RME Cardbus Cable perfectly connects devices for optimum performance. | Made in: Germany | Length: 100 cm | Colour: Black | ~ Length: 1 m
The TCO module is an optional extension for selected RME cards. Placed in a free slot of the computer chassis the TCO will be connected with the main card via a flat ribbon cable. | The small module provides the HDSPe cards with a Word Clock input and offers a synchronization to LTC and video. Thanks
Building on the eight year success of the MADI Bridge and the MADI Converter, RME presents a newly designed device that is a worthy successor of both - in fact, its innovative core will redefine and inspire MADI systems for years to come.The MADI Router is a compact device designed to link MADI
Micstasy is an 8-Channel hi-end mic/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic/Line In to Line Out) and digital (Mic/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight:
The I64 MADI Card from RME is an optional interface card that provides both the eight-channel Micstasy microphone preamp, and the ADI-8 QS AD/DA converter, with sixty-four channels of MADI input and output, and features optical and coaxial MADI I/O. The input automatically switches operation
The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.The PCI Express card consequently uses all advantages of the MADI format,
The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:Ultra-low latency operation with USB or
RMEs ADI-6432 offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore, or one unit used as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2 units height
RME's ADI-8 QS is an 8-Channel hi-end AD/DA converter with an unrivalled bunch of features. The device combines excellent analog circuit design with outstanding low latency AD/DA converter chips of the latest generation. Along with the integrated SteadyClock, the QS offers an AD- and DA-conversion
RME presents the world's most versatile PCI Audio Interface - the Hammerfall DSP 9632. This card makes the dream of an All-In-One solution for every possible application come true. As usual, RME has not made any compromises: Latest 192 kHz AD- and DA-converters with more than 110 dB signal to noise
The DMC-842-M from RME is an 8-channel AES42 interface and control device for digital microphones. AES42-2001 is an extension of the current AES digital audio standard that provides the framework for interfacing and controlling professional digital microphones (not to be confused with the consumer
RME's M-16 AD is a 16-channel high-end AD converter, easy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 16 times! The unit's unique
The M-16 DA from RME is an extremely high-quality 16-channel D/A converter. It utilizes MADI (Multi-channel Audio Digital Interface) technology, which allows up to 64 channels of audio to flow freely without the shortcomings of multi-core cable-based digital audio technology. Not only does the M-16
Converter RMEs ADI-6432R offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432R used as digital multicore, or one unit used as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2
Audio interface from RME. The device uses AVB to transfer up to 256 channels of audio between PC and audio network. An additional headphone output allows high quality monitoring. | Equipped with USB 3, it allows you to stream up to 128 channels of audio with sampling rates up to 192 kHz into the AVB