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Cranberry OverDrive has the features of the original STRAWBERRY-RED, although both pedals can achieve the same level of gain (LOW potentiometer, which sets the low frequency response - gain level), Cranberry is ideal for a clean / light distortion effect. With mild compression and fast response, this pedal promises excellent support for any music genre.The original Strawberry Red OverDrive is one of the best-selling pedals in the BJF FX series, promising OverDrive the sound that all guitarists want. For this reason, Bjorn Juhl decided to extend the success of these models to two more models: Cranberry and Lingonberry.Proposed by: Bjorn Juhl.Controls: Volume, Treble, Drive and Side Menu (LOW) low frequency response settings.Technical specifications:• Input impedance: 330 K• Output impedance: 25 K• Supply voltage: 9V• Power consumption: 4 mA• Signal-to-noise ratio: -86 dB• Dimensions: 39 W x 100 L x 31 H mm (without buttons and switch), 47 W x 100 L x 48 H mm (including buttons and switch)• Weight: approx. 160 g• True-Bypass switch• High quality aluminum cover• Power supply: 9V battery or from a 9V DC adapter not included• Color: Red. Controls: Volume;Treble;Drive True Bypass: Yes Battery Operation: Yes Power Supply: Adapter or Battery;9V Number of Buttons: 1 Colour: Red Package Contents: Manual Type: Overdrive;Boost Made in: China Outputs: Mono Battery Type: 9V Inputs: Mono UK/EU Power supply included: No
Product One Control Cranberry is marked by the EAN code 4562459875708.
Color | Red |
Category | Pedals, Boosters, Strawberries |
EAN | 4562459875708 |
Lingonberry OverDrive has the features of the original Strawberry Red OverDrive, but produces stronger distortion that can be controlled (with a potentiometer (LOW) to adjust the low frequency response). Then lower frequencies prevail. In order to make these changes, the BJF reduced the signal
The One Control Jubilee Red is a modern high-gain distortion pedal with tonal roots descending from the legendary Silver Jubilee series of British amplifiers that were created in the late 80's. With the Jubilee Red AIAB, guitarists have access to an enhanced midrange control as well as low noise
The One Control AUX Switch is an external remote footswitch for effect pedals and belongs to the Minimal Series, which offers many useful tools and gadgets for modern pedalboards. The switching signal can be sent to the tip and/or ring of a stereo jack plug via three footswitches so that all
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Original Colour by Producer: Black | Colour: Black | Variant: PBK | Made in: China | Type: Pedalboard
The Granith Gray Booster amplifier enables high-quality amplification of up to + 15 dB with minimized switching noise thanks to circuits developed by BJF. This amplifier is able to achieve an equivalent S / N ratio of high performance amplifier. To do this, the circuits have been designed to suit
One Control Silver Bee Overdrive takes players for a fresh spin around the racetrack with fast acceleration and low profit. Based on his highly sought-after Honey Bee overdrive design, Bjorn Juhl (BJF / BJFe) created the Silver Bee to excel at capturing sound 'on the edge' with shimmering pitches
modified M78 pedal with 100Hz Cut and boost control, control for output, Works with 9VBattery or Dunlop ECB003 AC Adapter (optional not included), analog distortion pedal, 'bump' switch engages alternate voicing for a low and midrange boost, 2 StatusLED, tone and distortion, Made in USA. | Battery
Designed by Bjorn Juhl (BJF / BJFe), Overdrive One Control Baby Blue is based on the creation of BJFe FUZZ 1 (originally released in 2000), which uses a discrete circuit combining dynamic overdrive and fuzz. Baby Blue overdrive technology produces a sublime tone at reduced rhythm volumes and wavy
The Fenix is one of Foxgear’s most versatile overdrive/distortion pedals, and it one of those “go-to” pedals that make it an indispensable member of a guitarist’s tone arsenal. Thanks to Foxgear’s pioneering distortion circuitry, “DynaFET™” the Fenix covers a wide-range of distorted
A detailed replica of one of the world's most iconic effectsthe Dallas Rangemaster treble booster. Originally produced in 1965, it has been used by many of the worlds most respected artists including Eric Clapton, Tony Iommi, Rory Gallagher, Brian May, Marc Bolan, Ritchie Blackmore and many more
Compact overdrive guitar effect pedal that features the same controls and sound qualities as the famous Fulltone effect pedal, and delivers soft overdrive tones. Apart from standard Volume, Drive and Tone control knobs, pedal also provides a HL/LP switch that in the upper position boosts the high
The One Control Pedal Board Junction Box 4M belongs to the Minimal Series, which offers many useful tools and gadgets for modern pedalboards. The JB4M comes with two pairs of 6.35 mm (1/4') mono jacks, two pairs of 6.35 mm stereo jacks (TRS) and a pair of MIDI jacks which are all respectively
Distortion is a must for almost all rock musicians. The new One Control Dyna Red Distortion 4k is the culmination of BJFe Dyna Red Distortion's 20-year handmade production. More than 20 years ago, this red pedal was the first Distortion BJFe pedal created by Bjorn Juhl. During these years, he found
Analog guitar fuzz pedal. Combining the Carcosa's wide-ranging after bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the
This overdrive does not need to be introduced in any special way. If you are a longtime fan of Bjorn Juhl (BJF / BJFe), then you know that this is one of his best creations. Honey Bee Overdrive is known for its warm taste overdrive, which is easily adjustable by turning the knob. Over the years,
The JHS Pedals Supreme is an exact replica of one of the most sought after vintage effects from Japan: the Shin-Ei Super-Fuzz. The Supreme is based on an extremely rare black and grey model. Although every early version of the original pedal sounds strikingly similar, the 1972 unit has a certain
Versatile overdrive effects pedal that combines two stompboxes in one and offers a versatile but transparent overdrive at medium and light gain levels. The right side consists of the Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created. The
Distortion designed to reproduce the iconic 'raw distortion' of an orange amplifier. With a gain of 56 dB and a noise level of -80 dB is Fluorescent Orange. Ideal for classic hard-rock sound. Orange was the company that created the iconic sound and started in the late 60's with supporters like
Overdrive effect pedal that features a unique “clean” control and overdrive circuit which provides the same tone as a vintage ‘808. Then the clean control blends back in a boosted direct signal, which restores the attack and feel lost in a highly compressed overdrive circuit. The pedal
Guitar pedal effect - boost/overdrive from Andy Timmons signature series. In 2016 JHS releases one of the most popular drive pedals over the last few years the AT Andy Timmons Angry Charlie style overdrive pedal. Now they are cranking it up a notch with the AT+, the same amazing overdrive pedal
Extremely versatile distortion effect that can be used with any amplifier, guitar or other effect pedal. Anodized Brown Distortion is known for its high response and incredible dynamic range.Proposed by: Bjorn Juhl.Controls: Volume, Tone, Gain.Technical specifications:• Input impedance: 94 K•
The Ampero Press works regularly as a normal Volume pedal, with one Input and one Output, to control your signal volume. There’s a 1/4″ TRS Expression jack here as well, though, which lets you hook the Press up to any pedal or multi-effect that functions with an external expression pedal. The
A powerful delay pedal with insane controls. Push the feedback for wild sound worlds. Bring in a warble on the modulator or absolutely warp it. Overdrive the delay with the fuzz control. This is the preferred echo for recording engineers and touring pros around the world because it sounds just that
EQThe EQ section of the pedal is set up a bit differently than many other pedals. The controls are basically like a vintage Fender amp (although the pedal in no way sounds like a Fender). One thing this means is that the controls are interactive in relation to one another. An example would be that