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Automatic microphone mixer of the CS series are THE perfect aid for concepts with multiple microphones, e.g. in conference rooms, churches or language laboratories. The main task of the mixer is to open the respective microphone channel when required and to close it again when the speaker has finished the presentation. This intelligent adjustment for the individual microphone channels allows for a silent and precise control which ensures that the audience hears every single word. This greatly improves the overall sound resulting in a clear, transparent reproduction and minimises acoustic feedback and irritating background noise. The CS mixers feature a last-in function in order to maintain a pleasant atmosphere with a soft ambient sound also during the breaks in conversation rather than just cutting off the sound. 4 channels. 3 operating modes: auto mode, priority or 4/1-channel mixer. Balanced XLR inputs, switchable mic/line. Mix output, switchable mic/line. Trigger outputs for external devices, e.g. warning devices, cameras or speakers. Status LEDs. Several devices can be combined via link connections (supplied with cable). Desktop metal housing. 482 mm (19'') rack installation with supplied mounting brackets. Mic input: 0.2 mV/4.7 kOhm. Line input: 60 mV/20 kOhm. Aux output: 1 V/200 Ohm. Frequency range: 35 - 20000 Hz. THD: < 0.06%. S/N ratio: > 70 dB. Phantom power: +12 V. Power supply: via encl. plug-in power supply. Dimensions: 200 x 44 x 212 mm. Weight: 1,4 kg. Colour: Black Made in: China
Product JTS CS-4 Microphone Preamp has an EAN code 4007754217940.
Category | Microphones, Mixers |
EAN | 4007754217940 |
High-quality microphone and line preamp mixer. It has the size of a floor pedal, and is suitable for singers, guitarists and bassists. It serves as a preamp, effects loop, and DI pedal. It is the ideal choice to achieve high quality vocals in live performance. It can easy integrate studio effects
The Presenter is a compact mixer that combines a microphone preamp and a USB program input to create the ultimate interface for any presentation, from school lectures to corporate audio. The Presenter replaces typical audio mixers that include numerous complicated controls and knobs that rarely get
Full-featured, compact 6-channel mixer from MDR series with two low noise microphone preamps that is suitable for both live and studio use. In addition to the two mono mic/line inputs, there are two channels with left and right inputs to handle stereo signals. For added flexibility, user can change
Mixer with a discreet Class A amplifier that provides clear, quiet gain while maintaining sound clarity. A powerful, powerful processor controls transmission and reduces unwanted noise from even the most demanding sources. Semi-parametric EQ provides a wide range of tonal options and can be plugged
Professional condenser microphone for studio applications and live performances. It is ideally suited for direct or overhead sound pickup of acoustic instruments, percussions and vocals or 2x JS-22 for high-quality stereo recordings. It features 1,25 cm (½') extra thin gold-plated diaphragm, low
With a smooth uniform frequency response, the JTS CX-505 is optimized for use with drums and percussion. The unique design and miniature profile avoids interference with drummers and percussionists. Low noise electronic circuitry together with balanced output provides isolation from electronic
The JTS GM Series Condenser Gooseneck Microphones are available in 2 versions : The GM-5206, GM-5212, GM-5218, GM-5225 are terminated with a XLR(M) plug in connector for mating to a XLR(F) connector. The GM-5212C feature a 5/8” - standard 27 thread mic stand adapter for mounting on a mic stand or
The JTS GM series condenser gooseneck microphones are available in 2 versions : The GM-5206, GM-5212, GM-5218, GM-5225 are terminated with a XLR(M) plug in connector for mating to a XLR(F) connector. The GM-5212C feature a 5/8” - standard 27 thread mic stand adapter for mounting on a mic stand or
The JTS GM series condenser gooseneck microphones are available in 2 versions : The GM-5206, GM-5212, GM-5218, GM-5225 are terminated with a XLR(M) plug in connector for mating to a XLR(F) connector. The GM-5212C feature a 5/8” - standard 27 thread mic stand adapter for mounting on a mic stand or
The JTS GM series condenser gooseneck microphones are available in 2 versions : The GM-5206, GM-5212, GM-5218, GM-5225 are terminated with a XLR(M) plug in connector for mating to a XLR(F) connector. The GM-5212C feature a 5/8” - standard 27 thread mic stand adapter for mounting on a mic stand or
Microphone and instrument preamp. The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as ''the sound of Rock n' Roll'' for its BIG punchy low end and smooth open top end. Featuring fully discrete socketed 6-pin op-amps
Cloudlifter CL-4 Mic Activator is based on Cloud's award-winning Cloudlifter technology that converts phantom power into an additional +25 dB of ultra-clean gain for low output dynamic and ribbon mics. Cloudlifters solve problems posed by noisy preamps and can be used to drive stronger, cleaner
Miniature microphone mixer with 4 mono microphone channels. Output level control, peak LED. Supplied without battery. Mic input: 5 mV, 4 x 6.3 mm jack (MONO). Master output: 100 mV, 1 x 6.3 mm jack. Frequency range: 20 - 20000 Hz. S/N ratio: 55 dB. Power supply: 9 V battery or via optional power
The JTS CX-516 is a high-quality, miniature unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response and low noise characteristics have made it a standard for use with acoustic string instruments: violins, cellos, as well
The JTS CX-508 Miniature clip on condenser microphone is designed for the miking of brass and woodwind instruments. Its flat response with a slight presence peak in the upper frequencies ensures natural and bright reproduction without coloration. The lightweight miniature profile provides minimal
Overhead electret microphone for various applications. It is ideal for sound pickup of hi-hats, cymbals, percussion instruments and microphone applications with acoustic instruments, e.g. guitars, violins, pianos or wind instruments. It offres well-balanced and natural sound, operation via +48 V
Overhead hanging electret microphone. It is ideal for suspended installations, especially suitable for applications in which a direct microphonic effect is undesired for optical or operational reasons, e.g. sound pickup of choirs or on theatre stages or school stages. It offers microphone cartridge
Overhead hanging electret microphone. It is ideal for suspended installations, especially suitable for applications in which a direct microphonic effect is undesired for optical or operational reasons, e.g. sound pickup of choirs or on theatre stages or school stages. It offers microphone cartridge
Overhead hanging electret microphone. It is ideal for suspended installations, especially suitable for applications in which a direct microphonic effect is undesired for optical or operational reasons, e.g. sound pickup of choirs or on theatre stages or school stages. It offers microphone cartridge
Overhead hanging electret microphone. It is ideal for suspended installations, especially suitable for applications in which a direct microphonic effect is undesired for optical or operational reasons, e.g. sound pickup of choirs or on theatre stages or school stages. It offers microphone cartridge
Double gooseneck microphones with LED for indicating operating status. It features back electret supercardioid cartridges, high sensitivity, 10 dB attenuator, Low cut switch, flexible positioning due to vertically adjustable goosenecks (160°), common 3-pole XLR plug and operation via +48 V phantom
Dynamic vocal microphone. It offers frequency response especially optimised for the vocal spectrum, low handling noise, high acoustic feedback suppression and robust design for a long life. Connection cable is included. | Made in: China
Dynamic instrument microphone. It is ideal for sound pickup of bass drums, kick drums, bass amplifiers or various other bass instruments. It features suppression of structure-borne noise, impact noise or excellent mechanical features. Stand holder and padded bag is included. | Made in: China
Dynamic instrument microphone. It is ideal for sound pickup of drums or percussion instruments, e.g. snare drums, tom-toms, congas or bongos. It is also suitable for use as a microphone with wind instruments, at a guitar amplifier or for sound pickup of acoustic instruments. Microphone offers