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Fulltone delivers the Full-Drive 3 guitar pedal overdrive and boost effect. Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp. Along with great sound, these JFET’s give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type of pickup and react well to changes in your guitar’s volume control. The switch offers 90’s, WIDE ASYM, and COMP-CUT modes. Full-Drive 3 also allows you to choose between Overdrive and Boost channel. Volume, Tone, Overdrive and Boost can be easily controlled with potentiometers. Made in: USA UK/EU Power supply included: No : Al/Mn Battery Operation: Yes Battery Type: 9V Colour: Black Controls: Volume Controls: Tone Controls: Overdrive Controls: Boost Inputs: Jack 6,3 mm TS MIDI Interface: No Number of Buttons: 2 Outputs: Jack 6,3 mm TS Package Contents: Manual Package Contents: Battery Power Supply: Adapter Power Supply: Battery Power Supply: 9V True Bypass: Yes Tuner: No Type: Overdrive USB: No Variant: Full-Drive 3 - Custom Shop
Product Fulltone Fulldrive 3 - Custom Shop has an EAN code 6768910005990.
Color | Black |
Category | Pedals, Boosters |
EAN | 6768910005990 |
The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in FD3 pedal. Soon after the FD3 came out they started getting a steady flow of emails asking if they could “please make that into a single channel Boost pedal!” So they crammed the circuit into
The Fulltone 69 MKII guitar pedal fuzz effect. This effect delivers a sound with Fulltone-typical quality and reliability. The control is used to adjust the Volume, Fuzz, Input and Contour functions. Used with a clean amp, this pedal produces a quite nice distortion. However using it with a already
The OCD V2 guitar pedal overdrive effect designed by Fulltone. This model provides the ability to switch between true bypass and enhanced bypass modes for complete audio consistency. Class A configured discrete 2N5457 JFET input section increases input impedance to 1 MOhm, which contributes to
Fulltone brings the Octafuzz 2 octaver pedal effect. Octafuzz 2 offers an interesting design with a solid steel construction, glossy finish, retro logo and it is made in a bright blue color. It creates the original octave and fuzz sounds that are really adventurous and made for experimentation. It
The OCD pedal is the only pedal that uses 2 x Mosfets configured as hard-clipping to 'Voltage reference' instead of the usual way: to ground.' The earliest OCDs used 2 x Mosfets plus 1 x Germanium diode, but very quickly these diodes became harder and harder to find, and they became expensive
The original PlimSoul is the only pedal to offer both Soft & Hard clipping with separate control over each. They designed the PlimSoul’s unique, independent dual-stage clipping circuit to replicate not only the sound, but the feel of a tube amp with its subtleties and complexities. | The original
Beetronics Fatbee packs the fattest overdrive tones on the smallest bee yet. The first pedal on our Babee Series is a fully original overdrive circuit designed in collaboration with the legendary pedal designer Howard Davis.A JFET Drive like no other, breaks up sweet and smooth like a tube amp. The
Ultra-compact digital distortion effect pedal that offers faithful simulation of the Fulltone OCD effect pedal, delivering ultra wide dynamic range and extraordinary open tube-like drive sound. It provides two modes: HP and LP. The HP, high peak mode, will boost up the bottom end when increasing
Pedatrain’s custom Pedal-Booster raises each pedal by full one inch, allowing easy access and is accommodating to virtually any custom configuration. | Colour: Black | Type: Pedalboard | Original Colour by Producer: Black | Variant: PBK | Made in: China
The wah-wah pedal Clyde Deluxe Wah from Fulltone. The Deluxe version of the Clyde Wah has all the features that players have come to know and love about the original 'Clyde Standard' but with the following additions: 10-step variable Input Level control, true-bypass with light status indicator and
Ever played an original FuzzFace from around 1970? Fulltone has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the 'Fuzz' on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock
The MXR Hybrid Fuzz channels classic Fuzz Face Distortion pedals to open up a blazing new frontier of fuzz. Combining the snarling, high-gain aggression of a silicon transistor and the smooth, shaggy warmth of a germanium transistor into a single circuit, the Hybrid Fuzz generates a broad range of
The Supa-Wah takes Fulltone’s legendary Clyde Wah concept to the next level by offering two additional modes (on top of Whacked, Jimi and Shaft modes): Phat is the throatiest, most vocal Wah sound while Sub is deep, grunty, and unbelievably expressive, plus it works great on Bass too. The
Double pedal booster for 3 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are accessories. | Colour:
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds
A custom circuit, this pedal is based on a classic OD famous for its grit and crunch—but we balanced out the midrange and bumped up the gain for a sweeter, more natural sound even when cranked. The simple three-knob interface of Output, Tone, and Drive controls is all you need to perfect your own
modified M78 pedal with 100Hz Cut and boost control, control for output, Works with 9VBattery or Dunlop ECB003 AC Adapter (optional not included), analog distortion pedal, 'bump' switch engages alternate voicing for a low and midrange boost, 2 StatusLED, tone and distortion, Made in USA. | Made in:
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the
The JHS Pedals 3 Series Screamer is the beloved JHS TS 'Strong Mod', but in a brand-new stand-alone pedal. This pedal represents years of JHS Pedals playing around with the legendary TS-circuit and wanting to offer those changes in an affordable package. The Screamer offers more clean headroom, a
Analog Distortion Pedal for EGuitar, Switch for Crunch Modus, 2 StatusLED, Works with 9VBattery or Dunlop ECB003 AC Adapter (optional not included), Control for Output, Tone and Distortion, Made in USA., | Battery Operation: Yes | Power Supply: Adapter or Battery | Controls: Tone;Output;Distortion | UK/EU
Fuzz and octave effects pedal for electric guitar. It is equipped with a 3-band equalizer offering big sonic potential, giving you much more tonal flexibility than a standard tone knob. The footswitchable octave effect can be routed pre-fuzz or post-fuzz depending on your sonic preference. Set it
DARK FLAME is a modern metal high gain DISTORTION pedal, featuring 3-Band EQ and 3 types of DISTORTION, it’s ideal for both guitar riffs and solos. Features:1. 3-Band EQ: Treble, Mid and Bass2. Distortion types: you can choose 3 types of crunchy DISTORTION by the toggle switch3. Power:
Double pedal booster for 2 effects designed for lifting pedals to the optimum level that can easy to switch between effect pedals located on Pedaltrain pedalboards. This pedal booster has a solid steel frame and can be installed on a pedalboard using velcro or screws, which are