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At the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer — essentially the same circuit, based on the original ISA110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can't be truly emulated in any other way: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But this mic pre has a twist the original didn't have, which makes it far more versatile: four carefully-selected impedances allow you to match microphone to input in different ways. Bring out the character of a classic mic or emphasise a special feature, or go for a totally transparent, modern sound — it's up to you.Whether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low/high impedance switching and an amplifier output, and its own feed to the optional A/D converter and separate rear-panel XLR output.Key Features:ISA series transformer-based preamplifierEncased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone preamplifier at its lowest cost to date.Flexible independent DI channelISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional A-D converter.Switchable impedanceChoose one of four carefully selected input impedances, including the original ISA110 setting, to suit any microphone.Headphone output with volume controlISA One can feed either a sum of the two input to the headphones output, or an external stereo cue mix (such as a stereo feed from an interface) via two TRS jack inputs on the rear of the unit.Dedicated insert pointAllows you to place extra processing between the preamplifier or DI and the optional converter, such as an EQ or compressor.Optional stereo 192kHz A-D converterYou can chose to upgrade your unit with an optional digital card that delivers the best A-D performance in its class (dynamic range of 118dB). Alternatively, the ISA One Digital comes with the A-D converter as standard.Lundahl LL1538 Input TransformerThe original mic transformer used in the original Red modules helps to provide the unique sound and performance of this groundbreaking design.Backlit VU meter with variable calibrationISA One has a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert.Whether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low/high impedance switching and an amplifier output, and its own feed to the optional A-D converter and separate rear-panel XLR output. Inputs: Return (6,3 mm TRS);XLR;Jack 6,3 mm TRS Signal to Noise Ratio: 106 dB Depth (mm): 254.0 Type: Preamp Sample Rate: 192 kHz;24 bit Impedance: 150 Ohm Made in: Great Britain Outputs: Jack 6,3 mm TRS;Jack 6,3 mm TS;XLR Gain: 60 dB Number of Channels: 1 Phantom Power: Yes Weight: 3,9 kg Frequency Range: 16Hz - 118kHz DI Output: Yes Height (mm): 104.0 Package Contents: Power Cable Length (mm): 220.0
Product Focusrite ISA One Analog Microphone Preamp is marked by the EAN code 8153010051318.
Category | Microphones |
EAN | 8153010051318 |
At the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer — essentially the same circuit, based on the original ISA110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can't
The Focusrite ISA Two is a high-end 2-channel microphone preamplifier. It is a typology of the legendary ISA110 module with the possibility of setting a gain of up to 80 dB. Includes Lundahl L1538 transformer, frequency range 10 - 135kHz, 4 input impedance, instrument inputs, phantom power, 1U
The ISA 828 MkII incorporates eight of Focusrite's classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a
Focusrite Scarlett OctoPre is an 8-channel microphone preamplifier and AD / DA converter with analog compressors on each channel and a digital ADAT interface. The second generation of microphone preamps operates at 24 bit / 192 kHz and offers a dynamic range of up to 107 dB. Analog inputs 1 and 2
Focusrite Clarett OCTOPRE is an 8-channel microphone preamplifier and AD / DA converter with ADAT digital interface. Clarett's leading preamplifiers operate at 24 bit / 192 kHz and offer a dynamic range of up to 118 dB. AIR technology, which adds airiness and clarity to recordings, emulates the
Focusrite Clarett OCTOPRE is an 8-channel microphone preamplifier and AD / DA converter with ADAT digital interface. Clarett's leading preamplifiers operate at 24 bit / 192 kHz and offer a dynamic range of up to 118 dB. AIR technology, which adds airiness and clarity to recordings, emulates the
Focusrite Scarlett OctoPre is an 8-channel microphone preamplifier and AD / DA converter with ADAT digital interface. The second generation of microphone preamps operates at 24 bit / 192 kHz and offers a dynamic range of up to 109 dB. Two analog inputs located on the front panel are capable of
Single channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used
Dual channel '73 style British microphone preamp. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in
Dual channel '73 style British microphone preamp + EQ. If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively
Compact one-channel microphone preamplifier with switchable 30V phantom power that provides one balanced microphone input and one balanced 6.3 mm input. It also features a Gain control up to 50 dB, and clip LED indicators. Dimensions: 113 x 92 x 40 mm. Weight: 345 g. | Phantom Power: Yes | Microphone
The Cloud Microphones Cloudlifter CL-Z Mic Activator uses phantom power from your preamp to solve an array of common issues with dynamic and ribbon microphones while maximizing your audio quality, making it a must-have box for your studio or live toolset. It's designed to be a middleman between
The Cloud Microphones Cloudlifter CL-Z Mic Activator uses phantom power from your preamp to solve an array of common issues with dynamic and ribbon microphones while maximizing your audio quality, making it a must-have box for your studio or live toolset. It's designed to be a middleman between
Microphone preamplifier for connecting up to 2 microphones to one line input of a hi-fi system, an amplifier or a mixer. Stereo or 2 x mono, Wide frequency range, Black metal case, Supplied with plug-in PSU. | Made in: Taiwan | Battery Operation: No | UK/EU Power supply included: No | Power Supply: Adapter
Tube microphone preamplifier. The 676 offers a pristine high-voltage, Class-A tube preamp section that runs on 250 volts, so your signal can be as crystal clean or dirty as you need it to be. The 676 also incorporates the compressor/limiter design from the highly-sought after dbx162SL, as well as a
The PRE-73 PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its
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Solid State professional 1-channel microphone preamp with up to 71 dB of Gain. Possibility of setting impedance. Preamplifier is equipped with: Hipass filter, 48V phantom power, parametric EQ, - 20 db pad switch, turning phase, HPF, switchable output level of + 4 / -10 dB, frequency range 2 Hz -
The Tube MP is the world's most popular external tube microphone preamp. Whether you're working with a digital, computer or analog recording system, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable
It's all about gain and impedance. While some of the best sounding microphones out there are low-output dynamics and ribbons, pre-amplification can be challenging due to the gain and impedance requirements. Cloudlifters address this by giving passive microphone signals a major inline boost -up to