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The new passive DOD Mini Volume Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price). The Mini Volume features a high-quality 500k potentiometer making it perfect for any volume pedal application. The non-slip rubber pads and a peerless industrial design by DB Instrument Amp ensure a high quality volume pedal that will last the test of time. Features: Gear Drive for reliable performance, Treble Bleed so high frequencies are maintained at lower volume, Ultra Compact size has same footprint as most pedals. Dimensions: 5.00” (L) x 3” (W) x 2.40” (H) / 127mm (L) x 76mm (W) x 61mm (H). Weight: 1.1 lbs. / 0.5 kgs. Battery Operation: No Type: Volume Pedal Outputs: Jack 6,3 mm TS Inputs: Jack 6,3 mm TS Power Supply: Passive Colour: Black
Product DOD Mini Volume is assigned an EAN code 6919910065624.
Color | Black |
Category | Wallets, Pedals |
EAN | 6919910065624 |
The new passive DOD Mini Volume Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size
The new passive DOD Mini Expression Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its
Booster guitar effect pedal with a buffer function. This pedal is commanded by two main pots – Volume for the amount of boost and Tone for a either a bass or treble boost. The buffer function is switched by a central switch and it counters the signal loss in packed pedalboards with this pedal at
Upgraded version of the original DOD Phasor 201 phase effect pedal, one of the first phase pedals ever made, that brings the classic analogue phase effect driven by 40+ years of tone creating experience. This improved model is better than ever before with true bypass, a crisp blue LED indicator,
Compressor guitar effect pedal. This compressor works with an electro-optical circuit and is commanded by two pots – Comp, which affects the amount of compression from soft compression for a more even tone up to a hard compression which squeezes the attack and boost the volume and length of the
A Mosfet type Distortion Pedal designed for electric guitar. It is made of aluminum, offers independent Gain, Level, Low (Tone) and High (Tone) controls and True Bypass. The device is equipped with a blue LED that indicates its activation. A Mosfet circuit is able to very closely simulate the sound
Guitar distortion floor effect pedal. It features three-band parametric equalizer, True Bypass and a specially designed circuit from Black Arts ToneWorks also designed for baritone and bass guitars. It has Distortion, Depth, Level controls and extra control for Low Level, Low Frequency, Mid Level,
Envelope filter effect pedal for guitar and bass guitar. This pedal has two main sound settings, which are selected by a two way central switch. The Up is mainly suitable for guitars and the Down setting emphasizes bass frequencies making it the ideal setting for a good bass guitar sound. The Level
Analog guitar fuzz pedal. Combining the Carcosa's wide-ranging after bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the
More than just an octaver, the Meatbox is a thick-cut subharmonic synthesizer as well. Adding in sub notes so low that you need to be careful not to blow your speakers. A TRS out allows you to split the subharmonic synthesized signal out to the P.A. for teeth-rattling, bone wrenching,
The JHS Pedals Overdrive Preamp is a faithful replication of the first version ('Big Box V1') of DOD's most loved pedal, the Overdrive/Preamp (250). The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The Level control of this
Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as durable and solidly built with a lightweight
Depth (mm): 118.8 | Inputs: Jack 6,3 mm TS | Colour: Yellow | Outputs: Jack 6,3 mm TS | MIDI Interface: No | UK/EU Power supply included: No | Type: Boost;Distortion;Overdrive | True Bypass: Yes | USB: No | Weight (g): 281.0 | Height (mm): 57.15 | Width (mm): 66.8 | Battery Operation: Yes | Power Supply: 9V DC ( - );Adapter
Expression volume pedal that has been designed to control the volume of the keyboard’s integral amplifier. It is assembled with a fixed, 2m long cable and stereo jack, allowing connection to the expression or volume output of the keyboard. Impedance: 20 kOhm. Dimensions: 86 x 198 x 60 mm. | Made
Reactive 30W/8Ohm power attenuator in pedal format that tames the wall-shaking volume of any mid-powered tube amplifier and pushes its tubes to their limits at bedroom volume levels. Thanks to its reactive load technology, it response to the power amp just like a speaker and keeps its tone and
Guitar Volume pedal. The Leveline it's an analog volume pedal capable of operating with both low and high impedance, it is equipped with a stylish metal casing with fold out rings and status LED. Metal housing with fold-out metal base. 6.3 mm mono In/Output. Power: optional 9V DC power supply
Compact pedal volume control offering high sound quality, reliability and durability. The pedal is made of cast 100% professional aluminum material and has an amazingly smooth stroke, which is needed for fine volume control. In addition, it has low impedance and stereo inputs / outputs, making it
With the VOLUME S you get an active and wear-free volume pedal, which is lighter and smaller but not less efficient: equipped with the proven and evolving magnet sensor VCA technology of the other LEHLE VOLUME pedals, you control the volume of your instrument precisely. As it has no mechanical
Heavyduty volume control pedal for electronic keyboards that features the “fortissimo function” which enables the user to accent certain parts of a performance. It also provides a pedal angle adjustment, spring point adjustment and a metal connection plate for multiple “pedal ganging” that
Expression volume pedal for keyboards with additional polarity switch that makes it universally compatible with most of standard keyboards. It features 2 m long cables for both input and output (jack stereo), and inverter deviator rotation control for polarity switching. Impedance: 20 kOhm
A volume pedal equipped with a precise magnetic sensor enabling it to operate almost wear-free. This sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the Lehle Mono Volume the Hall sensor, which is made in Germany, is accurately calibrated to the
A volume pedal equipped with a precise magnetic sensor enabling it to operate almost wear-free. This sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the Lehle Stereo Volume, the Hall sensor, which is made in Germany, is accurately calibrated to
Stereo volume pedal mainly for guitars that can be used for regulating the output signal volume of guitars or any other instrument with mono output. Pedal offers two independent jack mono inputs and two jack mono outputs, and a side positioned control knob which allows for minimum volume adjustment
Keyboard mono volume pedal that is equipped with one jack socket for input and one for output for pedalkeyboardamplifier connection which is made through two cables that link the pedal input to the keyboard output or any other instrument with line output and the pedal output to the amplifier’s